James Bond meets a Swinging Sixties in these classical Bond photographs by Terry O’Neill

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“A anticipation character, yes, though in what he and his universe means to people, really real. Bond embodies brilliantly escapist party that endures, morphs over time and retains a essential appeal.” So says James Clarke of James Bond in his new introduction to a book that charts a assembly of dual British icons.

Bond: Photographed By Terry O’Neill, published by AAC Art Books, offers a new demeanour behind a scenes during Roger Moore, Sean Connery and George Lazenby’s stints as a world’s many famous spy. Terry O’Neill, best famous as a chronicler of a Swinging Sixties, was initial offering a possibility to sketch Sean Connery as Bond in Goldfinger in 1964, and his organisation with Bond lasted for years. O’Neill soon practical his eye for glorious to a series of films in a Bond authorization in a 1960s and 70s, capturing moments on set both when a cameras were rolling and during breaks in filming. The following photographs are constrained – a prophesy into a anticipation universe as glamourous as it is cut-throat.

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