What is a Leica M Monochrom (Typ 246)?
The Leica M Monochrom (Typ 246) is an surprising camera in a series of ways. Top of a list is that it can fire usually black-and-white photos. Next up, it costs £5,750. And finally it’s a rangefinder, that when used alongside a viewfinder, offers a singular approach of focusing subsequent to your normal CSC or DSLR.
Not totally incited off yet? Good – since there’s copiousness of reason to hang around; a Leica M Monochrom (Typ 246) is an extraordinary camera that can furnish photos many other cameras usually can’t touch. Not usually are Leica’s lenses among a best in a world, a black-and-white sensor creates photos of impossibly high energetic operation and low sound – unless we pull a attraction too high.
The Leica M Monochrom (Typ 246) positively isn’t for everyone, yet it is utterly brilliant.
Leica M Monochrom (Typ 246) – Design
One of a categorical advantages of rangefinder cameras such as a Leica M Monochrom (Typ 246) is that they’re significantly smaller than DSLRs. Both a lenses and camera bodies are smaller, creation them a some-more appealing tender as a camera to take around with we all day.
Leica has also done a M Monochrom (Typ 246) deliberately low-key. The normal Leica retro demeanour – that has valid an impulse to FujiFilm cameras of new years – remains, yet it’s matte black all over and doesn’t even have a informed eye-catching red Leica logo.
Relatively compress it might be, yet a Leica M Monochrom (Typ 246) isn’t light. With a physique expel from magnesium amalgamate and complicated coronet plates used for a tip image and bottom partial of a camera, it’s no warn a M Monochrom (Typ 246) weighs 680g but a lens. This isn’t many lighter than a high-end DSLR such as a Nikon D750, that weighs 750g but a add-ons.
For most, however, a obtuse bulk will be of larger value, as will a impossibly good construction, that creates this feel like a camera that will simply exist you. As you’d wish for during £5,750.
Leica M Monochrom (Typ 246) – Handling and Control
The Leica M Monochrom (Typ 246) has a really classical Leica feel in terms of doing and control. Its physique is chunkier than compress cameras and many CSCs, providing copiousness to reason onto but a need for an pithy grip. The partial of a physique your hands rest on has a high-friction leather-effect finish, so we never feel as yet you’re going to dump a camera.
While clearly dictated for critical photographers wanting to welcome primer control, a Leica M Monochrom (Typ 246)’s blueprint is sincerely simple. Up on a tip image is a shiver speed dial, alongside a video-record symbol and a power/drive switch. All feel built to last.
On a back of a camera you’ll find an additional control dial, a D-pad and a 6 buttons that control a rest of a Leica M Monochrom (Typ 246)’s features. This control character is a large partial of a camera’s appeal. It gives we a clarity of carrying really direct, evident control over what you’re shooting.
Aperture and focusing control are left to Leica’s lenses. Dials for both fit on all of Leica’s M-series lenses, that start during around £1,800 and rocket adult to around £5,000. So you’re looking during a sum cost of around £8,000 for a camera and one lens. It’s critical stuff.
What is a Nikon D5500?
Finding a decent entrance turn DSLR is always challenging, with a perfect series of cameras on offer creation it formidable for new buyers to tell that is worthiest of their attention.
But, those on a hunt for one would do good to check out a Nikon D550. The D5500 facilities a decent 24.2-megapixel camera sensor, above normal doing and plain sound rebate capabilities. The usually critical obstacle to a D5500 is that it lacks of a truly torpedo ascent to compute it from a predecessor, a Nikon D5300.
SEE ALSO: Best Cameras Round-up
Nikon D5500 – Design and Handling
The Nikon D5500 uses a new character of DSLR physique for Nikon. It’s smaller and lighter than a D5300, yet a pattern changes aren’t really about miniaturising this camera.
At 420g (body only) it’s a poignant 60g lighter than a D5300 and during 124 x 97 x 70mm it is somewhat smaller too. However, it’s indeed aiming for an all-round opposite feel. Like a Nikon D750, a D5500 has a most deeper reason than prior Nikon cameras, giving we a some-more comfortable, firmer hold.
On a physique finish of a reason there’s simply a lot some-more span for your fingers to hang around.
Part of what creates this probable is a new construction style. Rather than polycarbonate (plastic) or a magnesium alloy, a Nikon D5500 is done of a CO twine combination this is effectively fibre-reinforced plastic. This presumably lets Nikon use reduction volume of element to get a same strength. Simple.
The feel is different, yet a demeanour and blueprint are identical to a D5300. You get dual primer control dials: one around D-pad on a backplate and one on a tip plate. These total with a normal PASM mode dial yield a good change of accessibility and control.
The ‘i’ symbol has changed from nearby a shiver to down by a back pad for easier access, yet differently it’s familiar.
Nikon D5500 – Screen and Features
There’s one other vast change, though. The arrangement is a touchscreen, where a Nikon D5300 is non-touch. As good as vouchsafing we use hold focusing in Live View, a hold arrangement can work as another primer control aspect when sharpened with a viewfinder. For example, there’s a environment to make a appropriate gesticulate opposite it change ISO.
Of course, if you’re unequivocally after primer control we competence wish to cruise a Canon 760D instead, a camera of a same turn yet with some-more pro-style controls.
For a some-more easy-going photographer, though, a Nikon D5500 has all we need. As good as decent primer controls and a accessible layout, a shade folds out on a vari-angle hinge.
This creates sharpened during peculiar angles most easier, that is done all a improved interjection to a Nikon D5500’s light weight.
The shade itself is good too. It’s a 3.2-inch LCD arrangement of 1.04M-dot resolution, and gets we sincerely accurate colour and good sharpness. It’s on-par with any other cameras in this upper-entry-level class.
Of course, as a comparatively affordable model, a Nikon D5500 uses a pentamirror visual viewfinder rather than a brighter, clearer (but some-more expensive) pentaprism kind. However, it’s still pretty transparent and utterly vast too.
It appears bigger than a Nikon D5200’s viewfinder, for example, with 0.82x magnification instead of 0.78x.
The Nikon D5500 has Wi-Fi, vouchsafing we send images to a mobile phone regulating a Nikon Wireless Mobile Utility app. It also lets we control a shiver wirelessly.
However, Nikon has indeed cut out a other connectivity staple, GPS. The Nikon D5300 has GPS, yet this some-more costly indication doesn’t. Disappointing? Yes, generally as a GP-1A GPS procedure appendage costs £189. Alternatively we can tab a photos yourself. But who wants to do that?
What is a Sony RX10 II?
The Sony RX10 II is a dream camera for many. It combines good ubiquitous picture peculiarity with implausible video skills, super-rapid sharpened speed and a lens that offers both a far-reaching wizz operation and consistent max orifice of f/2.8 throughout.
This is an extraordinary combo. It’s no consternation a Sony RX10 II costs £1199, that might seem impossibly costly for what is still effectively a overpass camera. You don’t wish to be bridging your approach to anywhere after spending that much.
If you’re after an all-purpose camera you’ll never have to ascent with lenses, and don’t mind that it’s not distant off an entry-level DSLR in size, a RX10 II is simply excellent.
SEE ALSO: Best Cameras
Sony RX10 II: Design and Handling
The Sony RX10 II looks and feels many like a predecessor, a strange RX10. It has a high-quality magnesium amalgamate shell, and it’s corpulent adequate to be means to fit in a full DSLR-style handgrip.
In standard vast camera style, a outdoor partial has a faux-leather hardness to give we a grippier aspect to reason onto. It’s a standard overpass camera shape, and that has both pros and cons.
On a certain side, a Sony RX10 II has copiousness to reason onto, removing we both an easy hold and a camera that feels that bit some-more critical than a compress cousin a Sony RX100 IV. However, it’s apparently reduction accessible as a result. While there are no additional lenses to consider, as a overpass camera a lens is totally fixed. And it is distant too large to fit in any arrange of pocket.
Switching behind to a certain side once more, being incomparable creates it easier for a Sony RX10 II to fit in a good array of primer controls. There’s a far-reaching preference of buttons and dials opposite a body.
Addressing a many critical ones, there’s a dedicated bearing dial on a tip plate, alongside a delegate LCD arrangement that gives we a quick-fire review off of a core settings, battery turn and label space. There’s also a primer dial on a back and dual control rings around a lens, one for focusing, one for aperture. You can have click feedback on a orifice ring, or select to invalidate it — quite useful for video.
The Sony RX10 II is a genuine deal, removing we as many control as we want. Casual shooters aren’t left out in a cold, though. The informed mode dial on a left side of a tip image has an Auto setting, as good PASM modes. Shooting with it is allied to regulating a DSLR.
Sony RX10 II: Screen, EVF
Of course, this is not a DSLR, so needs to use an electronic viewfinder (EVF) rather than an visual one. It’s an glorious EVF, though, among a best accessible during present.
It offers 2.36-million-dot resolution, homogeneous to XGA (1024 x 768), charity clarity somewhat-similar to that of an entry-level DSLR’s visual viewfinder.
The Sony RX10 II shade is accessible too. It’s a 3-inch 1.23-million dot arrangement that tilts adult and down, assisting we fire aloft and reduce than conduct height. However, interjection to a viewfinder eyepiece gush it can’t flip around to let we see yourself for selfies. Maybe it’s time for a RX10 array to welcome a correct articulated screen, that would let it flip out to a side.
Sony RX10 II: Features
Typical of a higher-end Sony camera, a Sony RX10 II offers both Wi-Fi and NFC, vouchsafing we send images to a mobile device quickly. NFC is there to speed adult a pairing process, finished by simply dire a dual inclination together rather than carrying to fiddle around in menus.
Ricoh Theta S hands-on
Ricoh announced it’s third Theta 360-degree camera, a Theta S, during IFA 2015.
If you’ve never listened of a Theta range, that’s since it’s comparatively niche. The initial chronicle launched usually twin years ago and usually took photos, while final year’s Theta M15 combined video to a mix, though usually during 15fps.
It works by regulating twin lenses, one during a front and one during a rear. These any take a 180-degree photo, that a Theta S afterwards stitches together to form a single, roughly seamless, 360-degree picture or video.
The latest Theta S is a vital ascent in terms of both picture sensor and video peculiarity – we can now fire nearby adequate Full HD during 30fps and take 14-megapixel stills. That’s a healthy ascent from a 6.4 megapixels on a M15. The orifice is f/2.0 and there are twin 1/2.3-inch sensors, one to take caring of any side.
Internal storage has also been doubled to 8GB, permitting for around 65 mins of sum video, nonetheless any particular video is singular to 25 mins or 4GB, whichever comes first. Alternatively it can store adult to 1600 photos during tip quality.
It’s was tough to get a loyal bargain of a peculiarity of images and video while we was perplexing a Theta S out, though on initial impressions there is a noted alleviation on a prior models. Although it still doesn’t seem great, generally in low-light conditions.
Thankfully set-up is passed easy. The Ricoh Theta S connects to your Android or iOS phone around Wi-Fi. It can afterwards be tranquil around an updated Theta app.
This now lets we preview photos before holding them, as good as enabling we to perspective images and videos, post to Facebook or Twitter and edit. It also allows we to tinker with a horde of settings such as white balance, shiver speed and ISO.
Charging comes around Micro USB and we can also bond a Theta S to your mechanism to remove calm for some-more in-depth editing.
Unlike a Panono – a 360-degree camera ‘ball’ – a Theta S is simply pocketable and is lonesome in a grippy black rubber cloaking that creates it easy to handle. Physical controls are kept to a minimum. You get a shiver symbol for holding photos or sharpened video, a energy button, a Wi-Fi symbol and a ability to switch between sharpened stills or video. Handy lights on a physique let we know a mode you’re in – there’s no screen.
Google has jumped in on a movement too.
Following a proclamation of a Street View app update, Google Maps Product Manager Charles Armstrong explained how Ricoh’s camera is ideal for formulating print spheres for a app. “The Ricoh Theta S is a good apparatus to emanate this imagery, and we wish it inspires people to minister to a map.”
Of course, with a appearance of practical existence a Ricoh Theta S will also be good placed to emanate video calm that works for Google Cardboard or a Oculus Rift.
The Ricoh Theta S will cost £299/$349 and will be accessible in Europe and a US from Oct 2015.
What is a Panasonic Lumix GX8?
The Panasonic Lumix GX8 is a compress complement camera that looks some-more like an aged rangefinder indication than your normal CSC. It’s big, offers as many controls as a cockpit of a jet craft and an glorious EVF too.
Its £1,000 body-only cost puts it in a sights of tip cameras such as a FujiFilm X-T1 and a pleasant Olympus OM-D E-M5 II. But a GX8 offers something a tiny opposite from those models, with a hardware pattern and – what is surprising for such cameras – a finish set of video abilities.
SEE ALSO: Best Cameras 2015
Panasonic Lumix GX8 – Design
The Panasonic Lumix GX8 is a vast camera, generally among CSCs, and it’s significantly bigger than a similar-looking GX7. It also bears a similarity to a FujiFilm X-Pro 1 – an glorious camera when it arrived in 2012, yet a pattern a builder subsequently ditched in foster of something smaller and some-more ergonomic.
A camera of such as distance comes with pros and cons – and a GX8 competence take some removing used to. While it has a high-end magnesium amalgamate body, it doesn’t feel utterly as clever and costly as a FujiFilm X-T1. This competence have something to do with a tiny cosmetic buttons on a behind of a unit.
We pattern a Panasonic Lumix GX8 will tarry abuse for years usually as good as any other high-end magnesium-alloy camera, though. In addition, a GX8 is weather-sealed, so as prolonged as this is matched with a weather-sealed lens, it’s a camera you’ll be means to use in flattering terrible conditions though worry.
The GX8 doesn’t utterly have a pattern attract of a FujiFilm X-T1 or Olympus OM-D EM-5, however, lacking a panache of a many stylish rivals. It’s a bit of a rectilinear brick. The GX8 is accessible in an all-black version, that we see here, or with a china tip row for a classical two-tone look.
Although a GX8′s distance means it isn’t as unstable as we’d like, on a flipside it has copiousness of room for a vast palm hold and a series of controls.
Panasonic Lumix GX8 – Handling
The Panasonic Lumix GX8 offers a extensive array of primer controls, alongside a series of customisable duty buttons to let we fine-tune operation to fit your needs. There are no fewer than 13 buttons on a behind of a section – so many, in fact, that during times we found it formidable to remember accurately that was set to do what. A symbol adult tip also lets we fast change a duty of a control dials.
The GX8 facilities 4 dials on a tip plate: a categorical mode dial, a dedicated bearing dial and dual electronic control dials whose duty will count on that mode you’re using. The Panasonic Lumix GX8 has a feel of a critical camera, one that offers a control some-more eager photographers are after. Although some of a buttons on a behind of a camera are utterly small, a dial blueprint is essential and feels good.
There’s even a switch on a behind to name continuous, singular AF and primer focusing – something we don’t mostly see in a CSC camera.
Panasonic Lumix GX8 – Screen and EVF
One underline that separates a Panasonic Lumix GX8 from other CSCs is a electronic viewfinder. It specs are on standard with top-quality rivals, yet a position and character are a tiny unusual.
It sits on a corner of a Panasonic Lumix GX8, rather than a middle, and it can be swivelled upwards. This creates it serviceable even when sharpened during ungainly angles/levels.
While a position takes some removing used to, in ubiquitous it’s an glorious EVF.
Image peculiarity is good too. The Panasonic Lumix GX8’s viewfinder offers a fortitude of 2.36 million dots and magnification of 0.77x. Its clarity is in line with high-end DSLRs and a rival, a FujiFilm X-T1 – so most so, in fact, that we can usually spin off primer focusing.
It uses an OLED panel, famed for their contrariety yet spasmodic let down by their over-egged colour. With a GX8, however, colours are sincerely accurate and natural-looking.
The behind shade uses an OLED arrangement too, and once again it’s amply tamed to be a good decider of images.
It’s a 3in hold arrangement with a 1.02-million dot resolution, that we poke to name a concentration point. Many CSCs use a lean display, that isn’t utterly as flexible. This one folds out and divided from a camera body, enabling we to guard a preview picture from all sorts of uncanny and ungainly angles.
The usually emanate here is that a suit becomes limited as shortly as we block any accessories – such as an outmost mic – into a Panasonic Lumix GX8.
What is a Panasonic HX-A500E?
The HX-A500E is Panasonic’s
first 4K movement camera. It can’t explain to be a world’s initial 4K action
camera overall, as that fame was grabbed by GoPro’s
HERO3 Black Edition, fast followed by the
HERO3 Black Edition. However, while a HERO 3 Black Edition drops to
a support rate next unchanging TV in 4K mode, a Panasonic HX-A500E
doesn’t, and that’s not a customarily approach it breaks a GoPro movement camera
Panasonic HX-A500E – Design and Features
The primary disproportion from a movement camera normal is the
way a HX-A500E is divided into dual portions, as we reported in
our initial impressions preview. On one finish of an umbilical wire is a
fixed lens, sensor and mono microphone assembly, while a other
contains a recording system, that houses a 1.5-inch LCD shade and
three control buttons, including a joystick for navigating a menu.
Storage and connectivity is found here also.
The doorway covering
the Micro SD label container and Micro USB pier slides into place and afterwards has
a apart switch to close it shut. This allows a whole package to be
rugged to general standards. The HX-A500E is waterproof to 3m and
IPX8 standard, as good as dustproof to IP5X. There’s no particular
standard for impact resitance, nonetheless a camcorder is sturdily constructed,
with a thick cosmetic row over a LCD screen. This 1.5-inch display
turns itself off automatically after a brief duration of non-use, that is
a accessible power-saving feature.
SEE ALSO: GoPro HERO3 Black Edition
title 4K recording format is 3,840 x 2,160 during 25 on-going frames
per second, that is radically 4 times a fortitude of Full HD.
Technically, this is called Ultra HD, rather than 4K, given a latter
is natively 4,096 x 2,160, with a 19:10 aspect ratio. But even
mentioning this feels a small like bursting hairs. The HX-A500E’s 4K
mode runs during a vast 72Mbits per second, that is good into broadcast
territory, and means we can fit usually underneath an hour of footage on a 32GB
Micro SD card.
Below a tip resolution, there are also options
to fire both Full HD (1,920 x 1,080) and 720p (1,280 x 720) during 50 or 25
on-going frames per second, as good as 848 x 480 during 25 progressive
frames per second. The latter is customarily called WVGA, and is a
widescreen 16:9 aspect chronicle of VGA, with a information rate of 4.5Mbits per
second. So there are recording options for each situation, and the
HX-A500E can constraint stills during adult to 5,376 x 3,024, that is over the
resolution of a sensor so clearly involves some interpolation.
can also select between customary and far-reaching fields of view, though customarily for
the resolutions next Ultra HD. This provides approximately a 160-degree
margin of perspective though causes poignant exaggeration to a image.
distortion competence not make a HX-A500E so renouned with a most
professional finish of a market, nonetheless here even GoPros have their
weaknesses, with professionals mostly modifying them with rebate distorting
lenses, during a responsibility of a narrower margin of view.
The HX-A500E is formed on a 1/2.3-inch BSI CMOS with 12.76Mpixels,
which is rather incomparable than a GoPro Black Edition’s. This provides
9.03Mpixels when sharpened video, and 8.34Mpixels for still images. It’s a
comparatively vast sensor for an movement camera, and promises a noise-free
design with good low light abilities.
It also allows a HX-A500E to
offer design stabilisation and a spin shot function, nonetheless this isn’t
optical, though digital, and customarily accessible during 1080p25 sharpened mode or
below. It’s still acquire where many other movement cameras don’t have
this trickery during all.
Because of a surprising configuration
compared to many of a movement cameras we have reviewed before, apart
Dogcam’s MiniDVR HD, a bundled mountings are also rather novel.
The recorder apportionment goes into a tote that is designed to tag to
your arm like your MP3 actor when you’re out running. The lens snaps
into a conduct strap, that includes a sprung steel apportionment and a
rubberised support during a front. It’s not a many appealing or unobtrusive
of arrangements, though it does give we utterly a bit some-more control over
where a camera is indicating than many helmet mountings.
HX-A500E’s menu does offer some useful settings. Aside from configuring
a recording mode, angle of view, design stabilisation and spin shot
functions already mentioned, we can configure white balance. There are
auto, daylight, pale and dual indoor settings, as good as a user
setting, that we can also set manually.
There’s backlight compensation
available, a colour night perspective mode, and we can also spin the
microphone off as good as capacitate a breeze cut mode. Slow suit is
available, as good as a loop recording choice where a oldest files are
transposed with new ones when storage is full.
self-respecting movement camera, a HX-A500E comes with built-in Wi-Fi.
This can work in a now-familiar approach where a camcorder becomes an
access indicate that we bond your mobile device to (so no Internet
connection during a same time), after that we can bucket adult a Panasonic
Image App for control. This is accessible for iOS and Android. However,
it’s also probable to bond a camcorder and mobile device around an
existing entrance point.
app lets we perspective what a camera is saying and also toggle record. You
can change a recording format, as good as switching between normal
mode, delayed suit and loop recording. You can change a white balance
settings, spin on a mic and breeze sound reduction, and backlight
compensation and colour night record, so flattering most all a settings
There are some really singular modifying and print collage
abilities too. The latter lets we arrange adult to 5 photos into a
preset frame, while a former lets we squeeze sections of clips and
stitch them together to emanate new compositions.
Panasonic HX-A500E: Image Quality
All of this
would be indecisive if a HX-A500E constructed a bad video peculiarity often
found in movement cameras. But Panasonic hasn’t skimped on this area. The
4K mode is most some-more than a gimmick, and produces good levels of detail
as good as rich, accurate colour. The obtuse resolutions say the
colour fidelity, nonetheless naturally remove a excellent detail.
mentioned before, a far-reaching angle of perspective choice does significantly
distort a image, and there is a spin of exaggeration even but it,
although this is customarily an emanate with movement cameras, as we do want
to locate as most of a periphery as probable when you’re not able
concentrate on indicating a camera precisely. The HX-A500E also belies
its format in low light, with a splendid design confirmed to low levels.
Performance is quite worthy here for an movement camera.
Should we buy a Panasonic HX-A500E?
Panasonic HX-A500E is a critical movement camera contender. Where there is
a poignant order between consumer and veteran in the
mainstream camcorder market, movement cameras straightforwardly cranky over, with
GoPros used extensively in a new Need For Speed movie, for example.
Alongside this, there’s small doubt that 4K is coming.
Where 3D has
failed dismally among consumers, essentially given people don’t want
to lay in their vital bedrooms wearing 3D glasses, 4K could good be
different, given it is simply a approach fortitude alleviation over HD.
So Panasonic’s HX-A500E is a shrewd move, providing good design quality
and useful facilities in a format that is stretchable and easy to use,
although a cost is now around £80 some-more than a GoPro HERO3
Black Edition, so a latter still has a corner on value.
The Panasonic HX-A500E lays down a gauntlet to GoPro, with able 4K sharpened in a rugged, feature-rich movement camera format.
Next, review a collect of a Best Camcorders or review some-more Camcorder Reviews
What is a JVC HD Everio GZ-RX110BE?
The JVC HD Everio GZ-RX110BE is a latest member of JVC’s flourishing Quad Proof range. These are radically customary camcorders, though with a combined reward of waterproofing and imperishable construction to yield something opposite in a formidable time for camcorders. The whole imaging marketplace has been in a state of predicament for a few years now, during slightest during a non-enthusiast finish of a market. The smartphone has turn both a camera and a camcorder in a normal person’s pocket.
Since a Flip-style candybar camcorder faded out of fashion, JVC’s categorical answer to this emanate has been a Quad Proof range. It’s a essential idea. Although unchanging camcorders kick smartphones with their sharpened features, utterly visual zooms and picture stabilisation, these aren’t indispensably advantages that’ll inspire a normal videomaker to lift a dedicated device. However, a camcorder that we can take on a beach, or hiking in a rain, is potentially an easier sell.
JVC HD Everio GZ-RX110BE: Design and Features
The GZ-RX110BE is a second of a some-more consumer-focused Quad Proof camcorders we’ve seen, after a GZ-R10SE launched progressing this year – nonetheless a judgment initial arrived with JVC’s movement cameras, a ADIXXION GC-XA2 and GC-XA1. The GZ-RX110BE is somewhat some-more high-end than a GZ-R10SE, though essentially since it comes with Wi-Fi and 8GB of inner memory, since a obtuse indication relies exclusively on a SD memory label slot. Otherwise, a dual are really similar.
The Quad Proof name refers to a fact that members of a operation are callous opposite 4 forms of intensity risk – water, dust, being dropped, and bearing to frozen temperatures. The waterproofing extends to a healthy abyss of 5m and is approved to IEC Standard announcement 529 IPX8, so this camcorder will be ideally protected in many swimming pools and shoal seawater. It should even be adult for snorkelling or medium diving.
The GZ-RX110BE is rated to withstand a dump from 1.5m, too, according to MIL-STD 810F Method 516.5-Shock. The GZ-RX110BE achieves a toughness with a plain transparent cosmetic window over a lens, and a rubber cover over a ports and memory label container on a back that thatch into place with a two-part process. This should make it probably unfit to open accidentally, and also gives it dirt proofing to IEC Standard announcement 529 IP5X.
SEE ALSO: Best Camcorders Round-up
So a GZ-RX110BE’s imperishable certification are really good indeed, and adult with many dedicated movement cameras. But differently this is a sincerely customary entry-level camcorder. The sensor is a comparatively tiny 1/5.8-inch back-illuminated CMOS with 2.5 megapixels. This is some-more than adequate for a Full HD sharpened fortitude and energetic zoom, nonetheless a tip 3680 x 2760 still picture distance will need a tiny interpolation.
The tiny sensor and f/1.8-6.3 lens enables a GZ-RX110BE to yield a really healthy 40x visual zoom, that will be some-more than adequate for many situations. However, there’s a 60x energetic wizz mode available, that takes advantage of over-abundance sensor fortitude to stand into a chip and yield larger magnification though a common detriment of peculiarity compared with a digital wizz – nonetheless if we do capacitate this, it extends to 100x. We’d suggest withdrawal a digital wizz off.
The picture stabilisation is JVC’s Advanced Image Stabiliser, that sits
on tip of a digital system. This still isn’t an visual system, but
also utilises a gangling sensor pixels rather than being utterly digital.
For this reason, modernized picture stabilisation and a energetic wizz can’t
be used during a same time, though with a 40x visual wizz on palm we don’t
see this is a vital downside. Also, visual picture stabilisation is more
susceptible to dump damage.
Shooting modes have also been
slightly softened over a GZ-RX10SE. The AVCHD format is still used,
and usually Full HD (1920 x 1080) fortitude available. However, a 50p
mode has been added, that operates during 28Mbits/sec, where a tip 50i
mode uses 24Mbits/sec, that is utterly a bit some-more per frame. The 8GB of
on-board memory can store adult to 30 mins of 50p footage, and 35
minutes of a tip 50i quality, though a 128GB SDXC label will lift these
figures to 10 hours 10 mins and 11 and a half hours respectively.
JVC HD Everio GZ-RX110BE: Settings
common operation of camcorder settings are available, all of them accessed
via a 3-inch LCD touchscreen. In Intelligent Auto mode, a camcorder
offers 3 opposite concentration and bearing tracking modes – Colour, Face
and Area. You can toggle a automobile benefit adult function, including a slow
shutter option. There is even a tiny volume of control over the
microphone recording volume.
There are some special recording
modes accessible as well, including time relapse with intervals of 1, 5, 20 or 80 seconds. Recording effects can be enabled, trimming from grainy
monochrome to one for enhancing babies and one for food, that is a
decidedly peculiar collection. Animations, such as hearts or flowers, can be
superimposed over a image, if we like your videos cheesy.
to primer mode, and some-more options appear. Focus can be operated manually
around an onscreen slider, and there are settings for backlight
compensation and tele macro. The liughtness turn can be adjusted,
although it’s not probable to entrance iris orifice and shiver speed
separately. There are also white change presets for sunshine, cloud,
indoor lighting, and blue or immature underwater conditions, as good as a
fully primer mode.
As mentioned earlier, built-in Wi-Fi is another
pivotal underline that a GZ-RX110BE has that a cheaper GZ-RX10SE
sibling doesn’t provide. The camcorder can possibly act as a possess access
point, or be connected to an existent wireless network. This works in
tandem with a Everio Sync 2 apps for iOS and Android. Using one of
these, we can afterwards work a camera with your smartphone, and even
remotely over a Internet with a assistance of a DDNS account. When the
camcorder is in approach entrance mode, it can collect adult your smartphone’s
location and use this to geotag your videos as well.
JVC HD Everio GZ-RX110BE: Performance
is no opposite to a GZ-RX10SE. The tiny sensor performs good in
good lighting, providing accurate colour and good detail. Although grain
does turn clear as a enlightenment drops, a colour fidelity
remains commendable. This is frequency an fan camcorder, though it will
cope good adequate with a non-static bland lighting conditions that
family occasions are expected to present.
One thing we can’t get entrance to, due to a GZ-RX110BE’s
waterproofing, is a battery. Fortunately, JVC claims a battery will
last 4.5 hours, that we found was an accurate guess during our
testing. So we can conduct off on a outing with a certainty that the
camcorder will final a useful volume of time.
Should we buy a JVC HD Everio GZ-RX110BE?
JVC offers a good preference of additional features
compared to a GZ-RX10SE, with a identical launch price. You’re still
paying around £100 additional for these and a Quad Proof robustness
compared to a unchanging camcorder of differently identical specification. But
these facilities do give a GZ-RX110BE a reason for purchasing it
compared to only pulling out your smartphone to squeeze critical moments
on video. As a stretchable all-rounder that we can use in many conditions, the
GZ-RX110BE creates a lot of sense, and is pretty priced, too.
JVC HD Everio GZ-RX110BE combines imperishable build and Wi-Fi facilities with a
unchanging camcorder functionality, for a reasonable price.
Next, review more Camcorder Reviews
What is a Panasonic HC-X1000?
The Panasonic HC-X1000 is
Panasonic’s initial 4K charity in a prosumer camcorder market. With
built-in ND filters, a 20x visual wizz and a horde of unequivocally considerable 4K
support rates and codecs, a HX-1000 is good labelled during £2,559, some-more than
£1,000 reduction than a Sony AX1.
With a 4K 8-MP 1/2.3-inch BSI
sensor, this camcorder is a from a time before a 5D Mk II done abyss of
margin a norm, yet with 50p and 60p during UHD (3,840 x 2,160) does Panasonic
have something else to offer a some-more normal finish of a market?
Panasonic HC-X1000: Specs and Features
initial doubt we have to ask is who is this for? There is no doubt
that 60fps during UHD is a title grabbing statistic that many
videographers would drool over. With, MP4, AVCHD and MOV codecs this
camera positively is versatile, yet it also has some transparent limitations
that we need to know before determining possibly to buy it.
Due no doubt to a rather tiny sensor, we found a HC-X1000 is tough pushed to get past nine
stops of energetic operation and notwithstanding a MP4 codec holding adult to 200Mbps,
the picture has small to no room for strategy in post production.
confirms to us that a HC-X1000 was never dictated to be used by
indie filmmakers, a fact Panasonic done transparent in pitching a camera to
us. It feels a HC-X1000 is best matched to blurb contexts, such as
sharpened weddings and events. So a genuine doubt is possibly you
should switch to 4K for this kind of work and possibly this is a camera
for a job.
It’s positively doesn’t miss in facilities for the
task. As an ENG character camera a HC-X1000 comes with all a standard
buttons and switches we would design from this normal camera form.
White change has an A and B preset, set to 3200k and 5600k, for
tungsten and daylight, permitting for discerning switching in quick changing
environments. An automobile and tradition mode are also available.
lens is by distant and divided a superb feature. The 20x visual wizz is
some-more than adequate for any standard videography unfolding and a autofocus
is also serviceable — during no indicate did it shelve to somewhere unattractive or
ruin a shot, yet with small abyss of margin maybe this is understandable.
picture stabilisation is a 5-Axis hybrid system, regulating both program and
optical stabilisation and a regulation are fantastic. We managed to use
the telephoto finish of a lens handheld with remarkably small shake.
Image stabilisation might sound concerning for purists, yet for anyone who
is mostly off a tripod it will be an essential feature.
camera ships with twin 64GB SD cards, that saves a good volume of money
on squeeze (around £150/£200). The idea of never blank a shot is
something Panasonic is penetrating on pulling with a twin SD label slots and
the continual recording mode, that allows for one label to be
constantly recording while a other shoots what we tell it to with the
Another choice is to fire one after a other,
meaning that we never have to leave a camera and can constraint action
continuously. This isn’t a ground-breaking feature, yet on a camera at
the cheaper finish of a marketplace it’s a profitable underline and will suit
those sharpened sports and events coverage.
focus peaking and concentration enhance are all good facilities that make this
camera unequivocally serviceable on a day-to-day basis. Everything is easily
accessible in a buttons and menu complement and follows a regulation that has
been set out in normal digital video camera for years. Again, not ground-breaking, yet essential when it comes to being means to trust what we are looking during on a daily basis.
battery life is a unequivocally important 6 hours when sharpened continuously
in 4K. This is essential when sharpened a full day of interviews and
reduces a risk of carrying to change battery midst interview, or blank a
shot since of something as elemental as battery. One gangling battery
would be sufficient for a day of heated sharpened and that is refreshing
to see. The 64GB SD cards that are supposing will take 5 hours and 20
minutes of continual 4K recording during 200Mbps and if we are shooting
back-to-back on a cards that means over 10 hours of record time.
built-in stereo microphone is sufficient and has a reasonable volume of
detail, adequate for room microphone, reserve or blemish track.
Panasonic HC-X1000: Design, Controls and Usability
vital underline that will put off a ‘pro’ finish of a marketplace is the
camera doesn’t seem to have a entirely primer bearing mode – despite
turning all earthy controls to manual, a camera still adjusted
exposure automatically. This means possibly an roughly totally flawed
camera for anyone critical about formulating video, or an overly complicated
menu complement that has buried an essential feature.
also has a built in ‘beep’ that sounds on each symbol press in the
menu complement and would be rarely inapt for a marriage or
conference event. Yet again such an apparent smirch contingency be fixable in the
menu system, yet after acid each submenu available, accompanied by
never finale beeps, we couldn’t find a environment to spin it off. It’s
hard to trust it’s not there somewhere, yet if it is afterwards it’s
needlessly tough to find.
When holding a Panasonic it feels
small, compress and neat — it weighs only 1.5kg. This helps make it very
portable, some-more so than a Sony AX1, yet a trade-off is disappointing
build quality. The plastics feel unequivocally inexpensive and a buttons don’t have a
reassuring, peculiarity feel.
The misfortune instance of a so-so build
quality is a cosmetic doorway on a audio controls, that feels flimsy
and would locate simply when forsaken into a bag. Of course, we expect
build peculiarity to humour during a cheaper finish of a market, yet saving
£1,000 with initial squeeze might be a fake economy when a plastic
doors snap off withdrawal tools exposed.
The touchscreen LCD is
functional and splendid adequate for sharpened outdoors. Reflections still
cause problems on unequivocally balmy days and a hold shade isn’t as
responsive as it could be, yet it is adequate to get by.
we find a further of touchscreen to a video camera not ideal as
operating in gloves is a common occurrence, however on a camera of this
size regulating even a earthy buttons can be a struggle. The viewfinder
is transparent and is a good underline that sets this camera detached from a
consumer class camcorder.
Panasonic HC-X1000: Image Quality
distant we’ve seen a X1000 has some apparent pros and cons, yet a image
quality swings things opposite it somewhat. While 4K images are superbly
detailed as we would expect, this comes during a responsibility of too much
noise. Generally, a picture is distant too loud and murky to be
taken severely — anything that isn’t shot in full illumination has a dull
quality that is startling for what we design to see with a 4K camera.
people consider of 4K images they wish sharpness and it feels as if
Panasonic has depressed into a same pitfalls as it did with a GH4. A
tendency to over whet causes nonessential sound in a picture and in
lower light this reduces clarity.
From a non-scientific tests,
a energetic operation comes in during a unequivocally ‘video’ 9 stops. The blacks are
unequivocally murky and don’t have any information when it comes to pulling them
in post-production. The same goes for highlights; they hurl off very
fast and have a inexpensive peculiarity that is approaching from a some-more consumer
Overall, a picture peculiarity is potentially a vital ambuscade for
this camera depending on a kind of work we do. Although it is
sufficient for simple videography, during a time that a Blackmagic Pocket
Cinema Camera, with 12 stops of energetic operation and 12-bit colour depth,
can be purchased for £650, this camera is approach behind prosumer needs.
your 4K footage into post-production also presents problems. The option
of 4K in post-production creates clarity as a ability to stand images
without detriment of pixels can assistance if we are stranded in a edit. But, put
simply, a sufficient modifying complement will cost as many as a camera
You’ll find handling a 4K files in an existent system
very difficult. From ingestion to edit, after effects joining and
export, we found all was over twice as delayed when compared to
editing 1080p footage. Unless you’re prepared to deposit in new editing
equipment you’ll substantially finish adult spending some-more time sharpened in 1080p
than 4K, that rather defeats a indicate of a HC-X1000.
Should we buy a Panasonic HC-X1000?
a aspiration to expostulate down a cost 4K video sharpened is admirable,
it’s tough to suggest a Panasonic HC-X1000 right now. Panasonic is
pitching this camera as a prosumer camcorder, yet it’s unequivocally tough to
see because it is value spending a income for a ability to fire during 60fps
in 4K when it is joined with unequivocally normal picture quality.
There’s no jealous this is a feature-packed camcorder. The lens, battery life and twin SD label slots are all glorious and it ticks many tantalizing boxes for videographers, yet when pull comes to force it isn’t a camera we’d select if you’re meditative of switching to 4K.
There are some earnest elements in a X1000, yet images unequivocally humour in low light situations. It unequivocally needs a incomparable sensor to make a many of the other qualities.
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