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What is a Pentax K-S2?
The Pentax K-S2 is an entry-level DSLR with copiousness to prove.
It’s tough to contest with Canon and Nikon in a DSLR game. Even Sony, that has constructed some of a all-time favourites, struggles. Today’s contender is a Pentax K-S2. And while it sounds like a proceed follow-on from a Pentax K-S1, this one takes a conflicting approach.
Rather than relying on charming bodies and feathery extras, a Pentax K-S2 crams in some critical hardware. In some areas, even perplexing to surpass a Canon and Nikon modes permitted during a price.
Highlights embody a class-leading viewfinder, weather-proofing and in-body visual picture stabilisation. Then there’s Pentax’s coherence to consider, being means to use lenses from decades ago.
While it doesn’t decimate a Nikon D5500 and Canon EOS 750D, it does offer a flattering good choice to both.
Pentax K-S2 – Design and Handling
Pentax’s prior camera in this permitted DSLR category was a K-S1. Unfortunately, it alienated utterly a few eager photographers with a eye-catching colour and surprising on-body LED. The Pentax K-S2 earnings to a some-more informed design.
The K-S2 is permitted in a black or white body, and while a handhold is small, it’s scarcely low – a frigid conflicting of a K-S1. It feels good in a hand, providing a soundness that is a pivotal pull of DSLRs now that a best CSCs offer no-worse picture peculiarity these days.
What’s expected to have drawn many to a KS-2 is weatherproofing. All a flappy tools of a camera are rubber-sealed to keep out H2O and dust, creation sharpened in nastier conditions that bit reduction perilous. Nikon and Canon offer this underline customarily on their some-more costly cameras. The KS-2′s explain to celebrity is that it’s a smallest weatherproof DSLR to date.
A steel piece sits opposite a KS-2′s tip plate, providing a hold of class. The rest of a KS-2′s physique is done of plastic, rather that a steel alloys customarily seen in weather-proof cameras. Of course, if Pentax had attempted to make a magnesium-alloy camera during this price, a association substantially wouldn’t make any income on it.
While a cosmetic support creates a Pentax K-S2 feel rather ordinary, it’s conjunction inexpensive nor flimsy.
One other thing to cruise is a new pack lens, generally if we don’t have a value trove of aged Pentax lenses to puncture into. To sojourn compact, a Pentax K-S2 sells with an 18-50mm lens. But a trade-off is that we remove 5mm of wizz operation from a customary 18-55mm pack lens. More important, max orifice is f/4 when other lenses tend to start with f/3.5.
This concede in optics feels a bit awkward, generally when we cruise that people customarily opt for a DSLR precisely for picture quality. Nonetheless, a impossibly compress and should happily do a pursuit of an bland runabout lens for when ultra-wide apertures won’t be called for.
Manual control works good too. The D-pad’s delegate functions control core sharpened elements and dual dials to a front and behind – positioned underneath your ride and forefinger – lay prepared for action. The physique pattern gets a sound thumbs up.
Pentax K-S2 – Viewfinder and Screen
A pivotal advantage offering by a Pentax K-S2 over a Nikon D5500 and Canon 750D is a 100 per cent viewfinder. This allows a sensor to cover a whole margin screen, where others during this cost miss a final few per cent.
It’s a good compositional tool, too. Plus it’s of a pentaprism variety, and therefore brighter and clearer than a pentamirror viewfinder we get in a Nikon D5500.
The back shade is a small some-more ordinary, yet still ideally good. It’s a 3in 921k-dot LCD that moves out on a vari-angle hinge. It offers copiousness of coherence either sharpened video, stills or selfies. It’s not a touchscreen, though, so we don’t get hold focusing.
What is a Samsung NX500?
The Samsung NX500 is a comparatively affordable CSC, costing £599 with a 16-50mm pack lens. In a past, a company’s CSCs have struggled to attract a courtesy when adult opposite rivals Sony, Panasonic and co. However, a NX500 inherits copiousness of facilities from a Samsung NX1 – substantially a many technically considerable APS-C compress complement camera to date.
Stunning images and a good AF complement make a Samsung NX500 a distant some-more engaging tender than a predecessor, a NX300. However, with no EVF, or process by that to supplement an outmost mic, a NX500 is expected to be now ruled out by some of a some-more cost-cautious enthusiasts for whom this camera competence differently be perfect.
SEE ALSO: Best Cameras 2015
Samsung NX500 – Design, Controls and Handling
Samsung has done a lot of swell with a NX500 in technical terms. But, as with other NX-series models, it’s frequency a many distinguished camera around.
It sports a unequivocally popular, retro-tinged two-tone style, yet lacks a pattern celebrity we see in a FujiFilm X-T10 or Olympus OM-D E-M10. The Samsung NX500 comes opposite as ordinary, and this will do it no favours when it’s sat on a shelves subsequent to some-more distinguished rivals.
As we can see in a photos, it’s china adult top, with many of a remaining partial of a Samsung NX500′s physique lonesome in a common textured rubberised plastic.
Don’t caring too many about a look? Then you’ll be gratified to learn that a Samsung NX500 feels good in a hand. We found it among a many gentle and sure-feeling cameras of this distance interjection to a ergonomic grip.
For penetrating photographers, one of a many critical additions this year is a delegate control dial. The Samsung NX300 featured usually one dial by a tip plate; a NX500 earns another one on a back.
There’s room for alleviation here, though. The dual primer control dials are tiny and fiddly, and skip a organisation feedback required to give we a certainty when regulating them blind. Thankfully, iFn lessens a impact somewhat. Many NX-series lenses have a control circle and an iFn button, that lets we crack by simple parameters regulating a singular lens wheel. We mostly found ourselves regulating this rather than a NX500′s possess controls.
While a NX500 has copiousness of facilities that should stir camera enthusiasts, there are a few that will put them off entirely.
The other poignant underline is a EVF, or skip thereof. As good as withdrawal we with usually a back shade to perspective a picture preview, there’s no choice to supplement an EVF either; Samsung doesn’t make such an accessory. For many, this will be reason adequate to order out a Samsung NX500 altogether.
Both he FujiFilm X-T10 and Olympus OM-D E-M10 are alternatives that embody an EVF.
Samsung NX500 – Screen
It seems Samsung is out to justice a many infrequent of crowds with a Samsung NX500, relying on usually a 3in 1.04m-Dot OLED touchscreen. It’s a mostly-good display, sloping both adult and down to let we fire underneath and over conduct height, as good as swivelling by 180 degrees for a selfie angle.
Unlike some OLED panels, colours are accurate, creation it a flattering good approach to decider your images. However, it struggles in splendid sunlight. You’ll need to set a screen’s liughtness to max on a balmy day, and even afterwards it can be wily to see clearly what’s on a screen.
It’s on those balmy days we unequivocally start to skip a EVF.
What is a Sony RX100 IV?
The Sony RX100 IV is a fourth complement in what has turn a favourite compress camera series. Since a beginnings in 2012, it has given us pocket-friendly models that offer picture peculiarity good adequate to prove high-end DSLR-wielders on those days when holding out a vast camera usually isn’t on a cards.
This means a RX100 IV is approaching to work ideally as an all-purpose camera for about 90 per cent of people. If not more.
With improvements given a Sony RX100 III especially formed around sharpened speed, video and EVF quality, though, we consider some will be usually as happy with that cheaper, comparison model. However, we contend that usually since a £849 seeking cost might be too high for some of we to stomach. If we forget about a cost for a minute, though, you’ll learn that there’s copiousness to adore about a RX100 IV – and zero to hate.
SEE ALSO: Best Cameras
Sony RX100 IV – Design and Handling
It’s covenant to a peculiarity of a Sony RX100-series cameras that “outdated” models from a integrate of years ago are still really easy to get reason of, new, today. The success has given Sony adequate certainty to keep a RX100 IV looking and feeling flattering most as it did in 2012.
The Sony RX100 IV is a small, magnesium-alloy camera we can simply fit into a trouser pocket. This is during a base of a appeal. It’s a attractive camera, too, and feels clever adequate to withstand a series of years of flattering drifting treatment.
What has been traded-away for this distance is an apparent handgrip. Where some tiny cameras try to use an ergonomic moulding to give your fingers something to reason onto, on a Sony RX100 IV you’ll find usually smooth, grip-less metal. Great as it feels, it means we’d advise regulating a wrist-strap to safeguard we don’t finish adult flinging a Sony RX100 IV onto some sand in a feverishness of a moment. It’s not cheap, after all.
However, we do get some additional reason in a form of a rubberised ride reason on a behind of a camera, providing that additional bit of stability. But a Sony RX100 IV is best rubbed with additional care.
Tiny status hasn’t meant Sony has had to leave out all primer controls, though. There’s one primer control dial on a back, and a circle around a lens. These are a control options we saw in a RX100 III, though this time there’s an embossed solid hardness around a lens ring for additional grip.
This combo gives we a range for full-on primer control, nonetheless bear in mind that a RX100 IV’s back controls are flattering tiny and fiddly. However, this is to be approaching in a camera this small, and is loyal of a RX100 III as well.
Sony RX100 IV – Screen and EVF
The volume of tech Sony has packaged into a pocket-sized RX100 IV is impressive. As good as a lean screen, there’s a sincerely high-speed EVF – one charity distant larger fortitude than final year’s model.
The Sony RX100 IV has a 2.46m-dot EVF that pops out of a top-plate; it lives subsequent to a pop-up flash. This is a default fortitude these days for a higher-end EVF, and it packs in distant some-more pixels than a 1.44m-dot EVF used in a RX100 III.
Sure enough, this new chronicle is crook and clearer. It also creates stabilising a camera opposite your face easier, vouchsafing we use longer bearing times handheld. Like final year, a EVF uses a pop-up and pull-out resource to fire-up a EVF. Once pulled out of a tip plate, we need to lift a lens out a bit to get it working. It final some hands-on action, though this is how it has been squeezed into a physique utterly this small.
There’s reduction swell in a screen. It’s a ideally excellent 3in 1.23m-dot arrangement with a lean resource – though it’s still blank a hold layer. You need to use a D-pad on a back to collect a concentration point.
What is a Canon EOS 760D?
The Canon EOS 760D is an affordable DSLR in a package of a some-more high-end model. Its a distant chuck from models designed for first-timers, wishing to spend most of their time with a mode dial set to Auto.
The 760D’s physique alone will set we behind £649, yet it’s also permitted with a few opposite “kit” lenses depending on what you’re after.
The Nikon D5500 and Pentax K-S2 any offer elements that kick a Canon EOS 760D, yet this advanced-feeling camera deserves to lay among them. It’s a APS-C Canon DSLR to go for if you’re meddlesome in removing some-more concerned with a company’s lens system.
SEE ALSO: Best Cameras 2015
Canon EOS 760D – Design and Handling
When a Canon EOS 760D was initial announced, we were left scratching a heads. Why were a EOS 750D and 760D – featuring a same specs – outed during a same time?
These models are here to fill-out a Canon DSLR line-up. The sold interest of a EOS 760D is that it offers a control blueprint that feels identical to that of a high-end camera. With a cost of £649 for a physique alone we might assume this is a high-end camera, yet in a universe of DSLRs this is indeed a some-more affordable model.
With that status, build peculiarity is some-more humble. Although a Canon EOS 760D skeleton is done from aluminium, a outdoor tools of a camera are done adult of cosmetic and CO fibre. More costly models have magnesium-alloy shells, giving we a some-more luxurious, some-more audacious finish. This camera is still flattering rugged, though, and will be means to hoop some abuse.
The 760D isn’t designed to be used in terrible weather, though. Weatherproofing is, again, something some-more mostly seen in higher-end models. The usually camera is this category to offer any H2O insurgency is a Pentax K-S2, whose seams are water-tight and label slots and ports are lonesome by rubber-sealed flaps. You don’t get that here, however.
What we do get are a forms of controls and displays generally seen on cameras costing significantly more, and a 760D’s tip image is a good example. The mode dial sits on a left side rather than a right (from your sharpened position), and there’s an additional LCD row by that we can perspective critical information such as sharpened settings, battery turn and how many shots will fit on a SD card.
The outcome is that a Canon EOS 760D needs to be operated with dual hands, rather than one. However, it’s therefore easier to control mixed equipment during once. Unlike a some-more permitted Canon EOS 750D, it’s probable to close a 760D’s mode dial. This is another high-end pattern trait, and stops we from incidentally changing a setting. Few things are some-more irritating mid-shoot.
To indeed name sharpened settings, we use a dual primer dials. One sits only behind a shiver button, and a other is on a D-pad around a behind of a camera. You have copiousness of control, nonetheless higher-end Canon models such as a EOS 7D MK II use dials that are both a bit incomparable and offer larger resistance.
What is a Leica Q (Typ 116)?
The Leica Q (Typ 116) is usually what we’ve been watchful for – a new Leica camera that isn’t simply a re-brand of another model, and one that isn’t ridiculously overpriced.
Now, looking during a cost that competence not seem a case. At £2,900, this fixed-lens non-zoom compress camera will be out of a strech of many photographers.
It’s a frugally populated class, a usually vital contenders being a Sony RX1 and RX1R, that are now removing on a bit. If you’re looking for a camera whose flexibility, picture peculiarity and facilities conform directly to a price, afterwards a Leica Q (Typ 116) substantially isn’t for you. However, start regulating it and you’ll shortly learn that a courtesy to fact unsentimental to a pattern and doing is a sorcery multiple on that we simply can’t put a price.
Leica Q (Typ 116) – Design
The Leica Q (Typ 116) is a compress camera, yet it’s about as distant private from your normal compress as it’s probable to be. Like genuine top-end models, a support is magnesium amalgamate and a tip image is aluminium.
Packing in a full-frame sensor formula in a Leica Q (Typ 116) being significantly incomparable than models such as a Sony RX100 IV. Nevertheless, it’s stays easier to lift around with we than a DSLR.
If you’re looking for a camera that has a intensity to reignite your adore for photography, though proof a pain on a unsentimental level, afterwards you’re in a right place.
The Leica Q (Typ 116) isn’t too showy, either. While you’ll positively attract a few glances from those informed with a brand, a matte finish is agreeably low-key. It’s a charmer, in some-more ways than one.
Leica Q (Typ 116) – Handling and Control
What a Leica Q (Typ 116) offers above 99 per cent of other models is a clarity of fluid, discerning operation. Even yet a camera works with singular space, it offers glorious primer controls.
With any day with a Leica Q (Typ 116), we naturally started to ride towards regulating a primer controls, in a finish switching off Auto settings entirely. This isn’t a norm, it’s since a Leica Q (Typ 116) done it feel so natural. In this respect, it reminds us of a FujiFilm X100 series.
Having a bound lens helps here, too, vouchsafing a Leica Q (Typ 116) gaunt on lens wheels rather than carrying to support for positively all on a body. The lens has dual control wheels, one for aperture, another for primer focusing. As with each partial of a camera’s construction, these feel sturdy.
Up on a tip image sits a dedicated shutter-speed dial, and a second control circle located by a shiver button. This whole control area sits in a recess in a body, that means you’re reduction expected to crack a controls incidentally or repairs them.
The Leica’s morality attracts comparisons to Apple. As most as we hatred to contend this: it usually works.
The back of a Leica Q (Typ 116) is a good example. Five clearly labelled buttons, a shade and D-pad offer all a control we need, yet though being cluttered. Shooting with this camera is simply a joy.
What is a Leica M Monochrom (Typ 246)?
The Leica M Monochrom (Typ 246) is an surprising camera in a series of ways. Top of a list is that it can fire usually black-and-white photos. Next up, it costs £5,750. And finally it’s a rangefinder, that when used alongside a viewfinder, offers a singular approach of focusing subsequent to your normal CSC or DSLR.
Not totally incited off yet? Good – since there’s copiousness of reason to hang around; a Leica M Monochrom (Typ 246) is an extraordinary camera that can furnish photos many other cameras usually can’t touch. Not usually are Leica’s lenses among a best in a world, a black-and-white sensor creates photos of impossibly high energetic operation and low sound – unless we pull a attraction too high.
The Leica M Monochrom (Typ 246) positively isn’t for everyone, yet it is utterly brilliant.
Leica M Monochrom (Typ 246) – Design
One of a categorical advantages of rangefinder cameras such as a Leica M Monochrom (Typ 246) is that they’re significantly smaller than DSLRs. Both a lenses and camera bodies are smaller, creation them a some-more appealing tender as a camera to take around with we all day.
Leica has also done a M Monochrom (Typ 246) deliberately low-key. The normal Leica retro demeanour – that has valid an impulse to FujiFilm cameras of new years – remains, yet it’s matte black all over and doesn’t even have a informed eye-catching red Leica logo.
Relatively compress it might be, yet a Leica M Monochrom (Typ 246) isn’t light. With a physique expel from magnesium amalgamate and complicated coronet plates used for a tip image and bottom partial of a camera, it’s no warn a M Monochrom (Typ 246) weighs 680g but a lens. This isn’t many lighter than a high-end DSLR such as a Nikon D750, that weighs 750g but a add-ons.
For most, however, a obtuse bulk will be of larger value, as will a impossibly good construction, that creates this feel like a camera that will simply exist you. As you’d wish for during £5,750.
Leica M Monochrom (Typ 246) – Handling and Control
The Leica M Monochrom (Typ 246) has a really classical Leica feel in terms of doing and control. Its physique is chunkier than compress cameras and many CSCs, providing copiousness to reason onto but a need for an pithy grip. The partial of a physique your hands rest on has a high-friction leather-effect finish, so we never feel as yet you’re going to dump a camera.
While clearly dictated for critical photographers wanting to welcome primer control, a Leica M Monochrom (Typ 246)’s blueprint is sincerely simple. Up on a tip image is a shiver speed dial, alongside a video-record symbol and a power/drive switch. All feel built to last.
On a back of a camera you’ll find an additional control dial, a D-pad and a 6 buttons that control a rest of a Leica M Monochrom (Typ 246)’s features. This control character is a large partial of a camera’s appeal. It gives we a clarity of carrying really direct, evident control over what you’re shooting.
Aperture and focusing control are left to Leica’s lenses. Dials for both fit on all of Leica’s M-series lenses, that start during around £1,800 and rocket adult to around £5,000. So you’re looking during a sum cost of around £8,000 for a camera and one lens. It’s critical stuff.
What is a Nikon D5500?
Finding a decent entrance turn DSLR is always challenging, with a perfect series of cameras on offer creation it formidable for new buyers to tell that is worthiest of their attention.
But, those on a hunt for one would do good to check out a Nikon D550. The D5500 facilities a decent 24.2-megapixel camera sensor, above normal doing and plain sound rebate capabilities. The usually critical obstacle to a D5500 is that it lacks of a truly torpedo ascent to compute it from a predecessor, a Nikon D5300.
SEE ALSO: Best Cameras Round-up
Nikon D5500 – Design and Handling
The Nikon D5500 uses a new character of DSLR physique for Nikon. It’s smaller and lighter than a D5300, yet a pattern changes aren’t really about miniaturising this camera.
At 420g (body only) it’s a poignant 60g lighter than a D5300 and during 124 x 97 x 70mm it is somewhat smaller too. However, it’s indeed aiming for an all-round opposite feel. Like a Nikon D750, a D5500 has a most deeper reason than prior Nikon cameras, giving we a some-more comfortable, firmer hold.
On a physique finish of a reason there’s simply a lot some-more span for your fingers to hang around.
Part of what creates this probable is a new construction style. Rather than polycarbonate (plastic) or a magnesium alloy, a Nikon D5500 is done of a CO twine combination this is effectively fibre-reinforced plastic. This presumably lets Nikon use reduction volume of element to get a same strength. Simple.
The feel is different, yet a demeanour and blueprint are identical to a D5300. You get dual primer control dials: one around D-pad on a backplate and one on a tip plate. These total with a normal PASM mode dial yield a good change of accessibility and control.
The ‘i’ symbol has changed from nearby a shiver to down by a back pad for easier access, yet differently it’s familiar.
Nikon D5500 – Screen and Features
There’s one other vast change, though. The arrangement is a touchscreen, where a Nikon D5300 is non-touch. As good as vouchsafing we use hold focusing in Live View, a hold arrangement can work as another primer control aspect when sharpened with a viewfinder. For example, there’s a environment to make a appropriate gesticulate opposite it change ISO.
Of course, if you’re unequivocally after primer control we competence wish to cruise a Canon 760D instead, a camera of a same turn yet with some-more pro-style controls.
For a some-more easy-going photographer, though, a Nikon D5500 has all we need. As good as decent primer controls and a accessible layout, a shade folds out on a vari-angle hinge.
This creates sharpened during peculiar angles most easier, that is done all a improved interjection to a Nikon D5500’s light weight.
The shade itself is good too. It’s a 3.2-inch LCD arrangement of 1.04M-dot resolution, and gets we sincerely accurate colour and good sharpness. It’s on-par with any other cameras in this upper-entry-level class.
Of course, as a comparatively affordable model, a Nikon D5500 uses a pentamirror visual viewfinder rather than a brighter, clearer (but some-more expensive) pentaprism kind. However, it’s still pretty transparent and utterly vast too.
It appears bigger than a Nikon D5200’s viewfinder, for example, with 0.82x magnification instead of 0.78x.
The Nikon D5500 has Wi-Fi, vouchsafing we send images to a mobile phone regulating a Nikon Wireless Mobile Utility app. It also lets we control a shiver wirelessly.
However, Nikon has indeed cut out a other connectivity staple, GPS. The Nikon D5300 has GPS, yet this some-more costly indication doesn’t. Disappointing? Yes, generally as a GP-1A GPS procedure appendage costs £189. Alternatively we can tab a photos yourself. But who wants to do that?
What is a Sony RX10 II?
The Sony RX10 II is a dream camera for many. It combines good ubiquitous picture peculiarity with implausible video skills, super-rapid sharpened speed and a lens that offers both a far-reaching wizz operation and consistent max orifice of f/2.8 throughout.
This is an extraordinary combo. It’s no consternation a Sony RX10 II costs £1199, that might seem impossibly costly for what is still effectively a overpass camera. You don’t wish to be bridging your approach to anywhere after spending that much.
If you’re after an all-purpose camera you’ll never have to ascent with lenses, and don’t mind that it’s not distant off an entry-level DSLR in size, a RX10 II is simply excellent.
SEE ALSO: Best Cameras
Sony RX10 II: Design and Handling
The Sony RX10 II looks and feels many like a predecessor, a strange RX10. It has a high-quality magnesium amalgamate shell, and it’s corpulent adequate to be means to fit in a full DSLR-style handgrip.
In standard vast camera style, a outdoor partial has a faux-leather hardness to give we a grippier aspect to reason onto. It’s a standard overpass camera shape, and that has both pros and cons.
On a certain side, a Sony RX10 II has copiousness to reason onto, removing we both an easy hold and a camera that feels that bit some-more critical than a compress cousin a Sony RX100 IV. However, it’s apparently reduction accessible as a result. While there are no additional lenses to consider, as a overpass camera a lens is totally fixed. And it is distant too large to fit in any arrange of pocket.
Switching behind to a certain side once more, being incomparable creates it easier for a Sony RX10 II to fit in a good array of primer controls. There’s a far-reaching preference of buttons and dials opposite a body.
Addressing a many critical ones, there’s a dedicated bearing dial on a tip plate, alongside a delegate LCD arrangement that gives we a quick-fire review off of a core settings, battery turn and label space. There’s also a primer dial on a back and dual control rings around a lens, one for focusing, one for aperture. You can have click feedback on a orifice ring, or select to invalidate it — quite useful for video.
The Sony RX10 II is a genuine deal, removing we as many control as we want. Casual shooters aren’t left out in a cold, though. The informed mode dial on a left side of a tip image has an Auto setting, as good PASM modes. Shooting with it is allied to regulating a DSLR.
Sony RX10 II: Screen, EVF
Of course, this is not a DSLR, so needs to use an electronic viewfinder (EVF) rather than an visual one. It’s an glorious EVF, though, among a best accessible during present.
It offers 2.36-million-dot resolution, homogeneous to XGA (1024 x 768), charity clarity somewhat-similar to that of an entry-level DSLR’s visual viewfinder.
The Sony RX10 II shade is accessible too. It’s a 3-inch 1.23-million dot arrangement that tilts adult and down, assisting we fire aloft and reduce than conduct height. However, interjection to a viewfinder eyepiece gush it can’t flip around to let we see yourself for selfies. Maybe it’s time for a RX10 array to welcome a correct articulated screen, that would let it flip out to a side.
Sony RX10 II: Features
Typical of a higher-end Sony camera, a Sony RX10 II offers both Wi-Fi and NFC, vouchsafing we send images to a mobile device quickly. NFC is there to speed adult a pairing process, finished by simply dire a dual inclination together rather than carrying to fiddle around in menus.
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