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What is a JVC HD Everio GZ-R10SE?

The HD Everio GZ-R10SE is a initial of JVC’s mainstream “Quad Proof” camcorders. After a success of a ADIXXION, JVC is clearly saying intensity sales in imperishable camcorders for reduction specialised users. The problem with many imperishable camcorders – a ADIXXION enclosed – is that they scapegoat some critical features, like an visual zoom, in a query for robustness, withdrawal a concentration resolutely on movement camera usage. The GZ-R10SE, in contrast, is a unchanging camcorder, though in a imperishable body.

The GZ-R10SE looks like a unchanging handycam-style camcorder. But a ruggedness stretches in 4 opposite directions (hence a Quad Proof name). The camcorder is rated to be waterproof to a abyss of 5m and to withstand a dump from 1.5m. The former conforms to IEC Standard announcement 529 IPX8, and a latter to MIL-STD 810F Method 516.5-Shock, if we imagination checking adult accurately how these ratings were derived.

The camcorder is also rated as dustproof to IEC Standard announcement 529 IP5X and solidify explanation to -10C, nonetheless a latter has no sold contrast regime compared with it. There’s no lens cover, only a callous potion window over a lens. All a ports lay behind a rubber-sealed doorway that slides into place and afterwards thatch resolutely shut, nonetheless we found it a tiny finicky. The wizz rocker and record symbol have a many some-more plain construction than unchanging camcorders, too.

SEE ALSO: GoPro Hero3 Black Edition

JVC HD Everio GZ-R10SEU

But distinct each imperishable camcorder we have tested in a past, a preference is unequivocally many in line with stream mainstream models. The GZ-R10SE is formed around a 2.5Mpixel back-illuminated CMOS, nonetheless it is a rather tiny 1/5.8-inch version. We would have elite a higher-end sensor, though JVC has intimated that some-more Quad Proof camcorders are to come, so some-more reward models could be on their approach soon.

The GZ-R10SE annals AVCHD during information rates adult to 24Mbits per second, and can constraint still images during adult to 3,680 x 2,760 pixels, that clearly uses a satisfactory volume of interpolation. Video and images are stored on SD memory, with a container stable by a locking strap mentioned earlier. SDXC cards adult to 128GB in ability are supported, with a 32GB procedure adequate for only bashful of 3 hours of video during a tip peculiarity setting.

The many poignant disproportion between a GZ-R10SE and probably all movement cameras, however, is that it offers a correct visual zoom. With a 40x factor, this is approach above what even those with digital alternatives have available. The peculiarity of an visual wizz over a digital wizz can't be overstressed, either. An visual complement doesn’t remove resolution, since a digital complement does.

JVC also offers a energetic wizz encouragement to a visual zoom, that boosts a cause by 50 per cent to 60x, nonetheless we can’t use this during a same time as a design stabilisation system. The energetic wizz doesn’t work in utterly a same approach as a digital wizz (which a GZ-R10SE offers adult to 100x). Instead of floating adult a video signal, a energetic wizz crops into a sensor, holding advantage of gangling pixels above a 2.06Mpixels compulsory by Full HD. However, a GZ-R10SE doesn’t have adequate gangling pixels, so a energetic wizz will still revoke fact when used.

SEE ALSO: Panasonic HX-WA3

JVC HD Everio GZ-R10SE

Speaking of design stabilisation, JVC has incorporated a Advanced Image
Stabiliser. The specifications are rather misleading as to possibly this
is visual or digital, though from a knowledge of JVC camcorders, the
Advanced Image Stabiliser is a underline that is possibly accessible on top
of an visual system, or supposing on a own. Here a image
stabilisation is not optical, though that’s not indispensably a bad thing in a
imperishable camcorder, as an visual complement can potentially get shop-worn by
extreme treatment.

Action cameras roughly always miss primer controls,
and a GZ-R10SE has about a slightest series of dissimilar buttons we have
seen on a conventional-looking camcorder. There is in fact only a record symbol and zoom
rocker. Everything else is operated by a three-inch, 230Kpixel LCD
touch screen. There isn’t even a energy button, with opening and closing
the shade used to energy a camcorder off and on.

However,
there are still utterly a few environment options available. In Intelligent
Auto mode, we can configure possibly touching a shade will instigate
face tracking, colour tracking or area tracking. You can toggle Auto
Gain Up and Auto Slow-Shutter, and possibly still images are grabbed
singly or in continual mode. There is even a unequivocally singular control over
microphone sensitivity.

There is also a preference of Special Recording
modes, including time relapse of 1, 5, 20 or 80 seconds, superimposing
date and time over a recording, and baby, grainy monochrome and food
digital effects, that is a somewhat bizarre multiple for a rugged
camcorder. You don’t get an array of imagination digital effects, nonetheless we
would always suggest adding these during modifying where we will have
more control over them.

Switching to Manual mode reveals a usual
range of extras, including focusing with onscreen buttons, backlight
compensation with an modernized mode, and tele macro. Whilst there is an
overall liughtness control that can be practiced between 2 and -2 in 0.3
steps, there is no apart pattern of shiver and iris, and no
scene modes, that is a surprise. White change options embody presets
for blue and immature underwater conditions, as good as a usual
artificial light, pale and balmy presets and primer and automobile modes.

There
is one other area where a GZ-R10SE is distinct a unchanging camcorder –
battery life. JVC claims a battery will final 4.5 hours, that is about
twice what many mainstream camcorders can manage, and many action
cameras. This is fortunate, since a battery also differs from most
mainstream camcorders by being non-removable. So we can’t reinstate it
with a delegate unit, and if it fails we will need to have the
camcorder bureau serviced.

Image peculiarity in good lighting shows an
adequate turn of detail, nonetheless we found a autofocus could be
jittery during high wizz factors. The design stabilisation is also not
particularly effective during high zoom. Performance in low light is decent,
with a good turn of liughtness confirmed and pretty faithful
colour, nonetheless there is a satisfactory bit of pellet evident. So a design is
good, though it’s not outstanding.

SEE ALSO: Best Camcorders Round-up

JVC HD Everio GZ-R10SEU

Should we buy a JVC HD Everio GZ-R10SE?

If
we wish a few some-more facilities than an movement camera has to offer, JVC’s
HD Everio GZ-R10SE provides a singular multiple of imperishable build with
full camcorder capabilities. The stream UK cost of around £275 is also
utterly reasonable, nonetheless the
HD Everio GZ-EZ515BEK is around £25 cheaper and has a same sensor,
but with visual design stabilisation and Wi-Fi as well. So you’re paying
a bit additional for a ruggedness. But right now there are few
alternatives if we wish a genuine camcorder in a imperishable format.

The categorical thing to consider, really, is possibly we wish a imperishable camcorder for regulating to your helmet or clothing, in that box a bulk and requirement to have a shade open creates this indication a wrong choice. If, however, we only wish something for ‘normal’ sharpened though that can tarry a kayaking trip, travel adult a towering and a like afterwards it fits a bill.

Verdict

The JVC HD Everio GZ-R10SE is a confidant and mostly successful try to move movement camera robustness to mainstream camcorders.

Next, review a Garmin Virb Elite review

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What is a Rollei Actioncam S-30 WiFi?

The Rollei Actioncam S-30 WiFi is a low-cost sports and activities camcorder, that notwithstanding a sub-£120 cost includes WiFi remote control capability. Considering a cost of WiFi-capable cameras from bigger names, such as a GoPro HERO3 Black Edition or Garmin VIRB Elite, a S-30 seems like a understanding too good to be true. So what has Rollei left out to get a cost so low?

Rollei Actioncam S-30

The S-30 is formed around a CMOS sensor of vague distance yet with a fortitude 2Mpixels, that is customarily adequate for the  Full HD video it records. This is achieved during 30 frames per second, yet it’s also probable to constraint 720p during 60 as good as 30 frames per second. The S-30 can take still images during adult to 2,560 x 1,920, nonetheless this will need a tiny interpolation with customarily 2Mpixels of sensor fortitude available. Aside from grabbing singular images, three, 5 and ten-shot continual shot settings are also available.

There are 3 peculiarity modes, permitting footage to be accessible in MOV or AVI format during information rates of adult to 13Mbits per second, that will concede reasonable if not superb quality. A microSD label container is used for storage, with support for modules adult to 32GB. With a latter, there will be adequate space for 5 and a half hours of footage during a tip peculiarity setting. However, a memory label is one thing Rollei doesn’t embody in a box, that is not a outrageous warn given a price. You do get a duplicate of Corel VideoStudio X6 bundled, though.

SEE ALSO: Best Camcorders Roundup
Rollei Actioncam S-30
Rollei rates a S-30 as waterproof to a abyss of 10m, and shockproof opposite a dump from a tallness of 3m, nonetheless conjunction of these are corroborated by any sold general standard. You also can’t have both during a same time, as a waterproofing requires an underwater housing, that is enclosed in a box, while an choice housing protects a camcorder from impact.

Not customarily does a S-30 come with these dual opposite housings, yet a box is also full of ascent options as well. A integrate of strong double-sided glue pads are included, for adhering one of a mounts to a helmet. There are dual bases – one for screwing to a bike handlebar, and a helmet option, that can also be strapped on rather than stuck.

SEE ALSO: Adobe Premiere Creative Cloud 7.01 review

There are afterwards 3 opposite arms we can insert to possibly base, and finally a screw plate, that can be trustworthy to possibly a strong or waterproof housing. So a S-30 already comes with copiousness of connection options, and there are still some-more accessible from Rollei’s website, including chest and shoulder mounts, suction mounts for cars, and a series of others. The S-30 itself is accessible in orange, black and yellow, to fit your outfit. It’s also amazingly small, weighing customarily 75g.

Yet another extraordinary inclusion for a cost is a 1.5-inch LCD panel. This is located on a side, so won’t concede we to use a S-30 like a unchanging camcorder, yet will be good for selecting menu options and ensuring we are indicating a camcorder in a right instruction when positioning it on a mount. It’s positively good to see a LCD’s inclusion when even a GoPro customarily offers a row as an appendage accessory.

The accessibility of a menu means a S-30 can offer a few some-more settings
than many movement cameras, that customarily usually yield a ability to
toggle record. The S-30 provides options to set a ISO from 50 to 800,
as good as withdrawal it on auto, yet customarily in print mode. Metering can be
changed from centre-weighted, to multi-point, to spot. There are
daylight, cloudy, tungsten and fluorescent white change presets as well
as automatic, yet no primer option. Both of these settings are
available with video as good as still picture capture.

There
is even a trickery to change bearing between -2EV and 2EV, yet no
direct control over shiver or iris, unsurprisingly, and again this is
only accessible in print mode. No stage modes are accessible either, and
with a waterproof housing we would have favourite to have seen an
underwater colour remuneration filter, nonetheless a S-30 appears to be
more targeted during surfers than divers. In video mode there are
some digital filters, that embody red, immature and blue alongside sepia,
disastrous and black white options. The menu buttons also let you
turn on WiFi mode and spin off a screen, that is accessible for preserving
battery life.

SEE ALSO: CyberLink PowerDirector 12 Ultimate Edition Review
Rollei Actioncam S-30
The
many startling underline of all of a S-30 is of march WiFi control,
which is routinely something customarily found in reward models. The usual
system applies, whereby we set a camcorder adult as a WiFi hotspot, then
bond your smartphone to it. You can afterwards glow adult a Rollei app,
which is accessible for Android and iOS. This allows we to preview what
the camcorder is seeing, toggle record, and even configure some of the
settings, including continual sharpened mode, white balance, and
frequency (to recompense for mains light flickering). Best of all, the
preview continues even when you’re recording, distinct some WiFi
implementations, particularly a Garmin VIRB’s.

The
S-30 has a 120-degree margin of view, so picks adult a satisfactory cube of the
action around it. Image peculiarity in good lighting is decent, yet not
outstanding. Colours are reproduced faithfully, yet there is justification of
sound and grain, that somewhat mars a turn of detail. This is more
evident as a light drops. Colour fealty stays reasonable in poor
illumination, though a high turn of application patching. But the
image is not as splendid as top-end models like GoPro’s HERO3 Black
Edition can produce.

Rollei Actioncam S-30 WiFi 

Should we buy a Rollei Actioncam S-30 WiFi?

The
Rollei Actioncam S-30 WiFi provides a lot of facilities for a money,
and a bundled housings and mounts don’t uncover any signs of cost
cutting. Image peculiarity is a step behind some-more reward units like a GoPro HERO3 Black Edition or
Garmin VIRB Elite. But deliberation a cost and WiFi
functionality, if we wish to constraint your impassioned sporting moments like
a professionals yet on a some-more medium budget, a Rollei Actioncam
S-30 WiFi is implausible value.

Verdict

The Rollei Actioncam S-30 WiFi gives we a lot of impassioned sporting camcorder for your money, including WiFi control.

Next, examination the JVC HD Everio GZ-R10SE review, a unchanging camcorder with movement cam ruggedness.

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What is a Panasonic HX-A500E?

The HX-A500E is Panasonic’s
first 4K movement camera. It can’t explain to be a world’s initial 4K action
camera overall, as that fame was grabbed by GoPro’s
HERO3 Black Edition, fast followed by the
HERO3 Black Edition. However, while a HERO 3 Black Edition drops to
a support rate next unchanging TV in 4K mode, a Panasonic HX-A500E
doesn’t, and that’s not a customarily approach it breaks a GoPro movement camera
mould.

Panasonic HX-A500E – Design and Features

The primary disproportion from a movement camera normal is the
way a HX-A500E is divided into dual portions, as we reported in
our initial impressions preview. On one finish of an umbilical wire is a
fixed lens, sensor and mono microphone assembly, while a other
contains a recording system, that houses a 1.5-inch LCD shade and
three control buttons, including a joystick for navigating a menu.
Storage and connectivity is found here also.

The doorway covering
the Micro SD label container and Micro USB pier slides into place and afterwards has
a apart switch to close it shut. This allows a whole package to be
rugged to general standards. The HX-A500E is waterproof to 3m and
IPX8 standard, as good as dustproof to IP5X. There’s no particular
standard for impact resitance, nonetheless a camcorder is sturdily constructed,
with a thick cosmetic row over a LCD screen. This 1.5-inch display
turns itself off automatically after a brief duration of non-use, that is
a accessible power-saving feature.

SEE ALSO: GoPro HERO3 Black Edition
Panasonic HX-A500E
The
title 4K recording format is 3,840 x 2,160 during 25 on-going frames
per second, that is radically 4 times a fortitude of Full HD.
Technically, this is called Ultra HD, rather than 4K, given a latter
is natively 4,096 x 2,160, with a 19:10 aspect ratio. But even
mentioning this feels a small like bursting hairs. The HX-A500E’s 4K
mode runs during a vast 72Mbits per second, that is good into broadcast
territory, and means we can fit usually underneath an hour of footage on a 32GB
Micro SD card.

Below a tip resolution, there are also options
to fire both Full HD (1,920 x 1,080) and 720p (1,280 x 720) during 50 or 25
on-going frames per second, as good as 848 x 480 during 25 progressive
frames per second. The latter is customarily called WVGA, and is a
widescreen 16:9 aspect chronicle of VGA, with a information rate of 4.5Mbits per
second. So there are recording options for each situation, and the
HX-A500E can constraint stills during adult to 5,376 x 3,024, that is over the
resolution of a sensor so clearly involves some interpolation.

Panasonic HX-A500E You
can also select between customary and far-reaching fields of view, though customarily for
the resolutions next Ultra HD. This provides approximately a 160-degree
margin of perspective though causes poignant exaggeration to a image.

The
distortion competence not make a HX-A500E so renouned with a most
professional finish of a market, nonetheless here even GoPros have their
weaknesses, with professionals mostly modifying them with rebate distorting
lenses, during a responsibility of a narrower margin of view.

The HX-A500E is formed on a 1/2.3-inch BSI CMOS with 12.76Mpixels,
which is rather incomparable than a GoPro Black Edition’s. This provides
9.03Mpixels when sharpened video, and 8.34Mpixels for still images. It’s a
comparatively vast sensor for an movement camera, and promises a noise-free
design with good low light abilities.

It also allows a HX-A500E to
offer design stabilisation and a spin shot function, nonetheless this isn’t
optical, though digital, and customarily accessible during 1080p25 sharpened mode or
below. It’s still acquire where many other movement cameras don’t have
this trickery during all.

Because of a surprising configuration
compared to many of a movement cameras we have reviewed before, apart
from
Dogcam’s MiniDVR HD, a bundled mountings are also rather novel.

The recorder apportionment goes into a tote that is designed to tag to
your arm like your MP3 actor when you’re out running. The lens snaps
into a conduct strap, that includes a sprung steel apportionment and a
rubberised support during a front. It’s not a many appealing or unobtrusive
of arrangements, though it does give we utterly a bit some-more control over
where a camera is indicating than many helmet mountings.

The
HX-A500E’s menu does offer some useful settings. Aside from configuring
a recording mode, angle of view, design stabilisation and spin shot
functions already mentioned, we can configure white balance. There are
auto, daylight, pale and dual indoor settings, as good as a user
setting, that we can also set manually.

There’s backlight compensation
available, a colour night perspective mode, and we can also spin the
microphone off as good as capacitate a breeze cut mode. Slow suit is
available, as good as a loop recording choice where a oldest files are
transposed with new ones when storage is full.

Like any
self-respecting movement camera, a HX-A500E comes with built-in Wi-Fi.
This can work in a now-familiar approach where a camcorder becomes an
access indicate that we bond your mobile device to (so no Internet
connection during a same time), after that we can bucket adult a Panasonic
Image App for control. This is accessible for iOS and Android. However,
it’s also probable to bond a camcorder and mobile device around an
existing entrance point.

Panasonic HX-A500E

The
app lets we perspective what a camera is saying and also toggle record. You
can change a recording format, as good as switching between normal
mode, delayed suit and loop recording. You can change a white balance
settings, spin on a mic and breeze sound reduction, and backlight
compensation and colour night record, so flattering most all a settings
are available.

There are some really singular modifying and print collage
abilities too. The latter lets we arrange adult to 5 photos into a
preset frame, while a former lets we squeeze sections of clips and
stitch them together to emanate new compositions.

Panasonic HX-A500E: Image Quality

All of this
would be indecisive if a HX-A500E constructed a bad video peculiarity often
found in movement cameras. But Panasonic hasn’t skimped on this area. The
4K mode is most some-more than a gimmick, and produces good levels of detail
as good as rich, accurate colour. The obtuse resolutions say the
colour fidelity, nonetheless naturally remove a excellent detail.

As
mentioned before, a far-reaching angle of perspective choice does significantly
distort a image, and there is a spin of exaggeration even but it,
although this is customarily an emanate with movement cameras, as we do want
to locate as most of a periphery as probable when you’re not able
concentrate on indicating a camera precisely. The HX-A500E also belies
its format in low light, with a splendid design confirmed to low levels.
Performance is quite worthy here for an movement camera.

Should we buy a Panasonic HX-A500E?

The
Panasonic HX-A500E is a critical movement camera contender. Where there is
a poignant order between consumer and veteran in the
mainstream camcorder market, movement cameras straightforwardly cranky over, with
GoPros used extensively in a new Need For Speed movie, for example.
Alongside this, there’s small doubt that 4K is coming.

Where 3D has
failed dismally among consumers, essentially given people don’t want
to lay in their vital bedrooms wearing 3D glasses, 4K could good be
different, given it is simply a approach fortitude alleviation over HD.
So Panasonic’s HX-A500E is a shrewd move, providing good design quality
and useful facilities in a format that is stretchable and easy to use,
although a cost is now around £80 some-more than a GoPro HERO3
Black Edition, so a latter still has a corner on value.

Verdict

The Panasonic HX-A500E lays down a gauntlet to GoPro, with able 4K sharpened in a rugged, feature-rich movement camera format.

Next, review a collect of a Best Camcorders or review some-more Camcorder Reviews

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What is a JVC HD Everio GZ-RX110BE?

The JVC HD Everio GZ-RX110BE is a latest member of JVC’s flourishing Quad Proof range. These are radically customary camcorders, though with a combined reward of waterproofing and imperishable construction to yield something opposite in a formidable time for camcorders. The whole imaging marketplace has been in a state of predicament for a few years now, during slightest during a non-enthusiast finish of a market. The smartphone has turn both a camera and a camcorder in a normal person’s pocket.

Since a Flip-style candybar camcorder faded out of fashion, JVC’s categorical answer to this emanate has been a Quad Proof range. It’s a essential idea. Although unchanging camcorders kick smartphones with their sharpened features, utterly visual zooms and picture stabilisation, these aren’t indispensably advantages that’ll inspire a normal videomaker to lift a dedicated device. However, a camcorder that we can take on a beach, or hiking in a rain, is potentially an easier sell.

JVC HD Everio GZ-RX110BE: Design and Features

The GZ-RX110BE is a second of a some-more consumer-focused Quad Proof camcorders we’ve seen, after a GZ-R10SE launched progressing this year – nonetheless a judgment initial arrived with JVC’s movement cameras, a ADIXXION GC-XA2 and GC-XA1. The GZ-RX110BE is somewhat some-more high-end than a GZ-R10SE, though essentially since it comes with Wi-Fi and 8GB of inner memory, since a obtuse indication relies exclusively on a SD memory label slot. Otherwise, a dual are really similar.

The Quad Proof name refers to a fact that members of a operation are callous opposite 4 forms of intensity risk – water, dust, being dropped, and bearing to frozen temperatures. The waterproofing extends to a healthy abyss of 5m and is approved to IEC Standard announcement 529 IPX8, so this camcorder will be ideally protected in many swimming pools and shoal seawater. It should even be adult for snorkelling or medium diving.

The GZ-RX110BE is rated to withstand a dump from 1.5m, too, according to MIL-STD 810F Method 516.5-Shock. The GZ-RX110BE achieves a toughness with a plain transparent cosmetic window over a lens, and a rubber cover over a ports and memory label container on a back that thatch into place with a two-part process. This should make it probably unfit to open accidentally, and also gives it dirt proofing to IEC Standard announcement 529 IP5X.

SEE ALSO: Best Camcorders Round-up

So a GZ-RX110BE’s imperishable certification are really good indeed, and adult with many dedicated movement cameras. But differently this is a sincerely customary entry-level camcorder. The sensor is a comparatively tiny 1/5.8-inch back-illuminated CMOS with 2.5 megapixels. This is some-more than adequate for a Full HD sharpened fortitude and energetic zoom, nonetheless a tip 3680 x 2760 still picture distance will need a tiny interpolation.

The tiny sensor and f/1.8-6.3 lens enables a GZ-RX110BE to yield a really healthy 40x visual zoom, that will be some-more than adequate for many situations. However, there’s a 60x energetic wizz mode available, that takes advantage of over-abundance sensor fortitude to stand into a chip and yield larger magnification though a common detriment of peculiarity compared with a digital wizz – nonetheless if we do capacitate this, it extends to 100x. We’d suggest withdrawal a digital wizz off.

The picture stabilisation is JVC’s Advanced Image Stabiliser, that sits
on tip of a digital system. This still isn’t an visual system, but
also utilises a gangling sensor pixels rather than being utterly digital.
For this reason, modernized picture stabilisation and a energetic wizz can’t
be used during a same time, though with a 40x visual wizz on palm we don’t
see this is a vital downside. Also, visual picture stabilisation is more
susceptible to dump damage.

Shooting modes have also been
slightly softened over a GZ-RX10SE. The AVCHD format is still used,
and usually Full HD (1920 x 1080) fortitude available. However, a 50p
mode has been added, that operates during 28Mbits/sec, where a tip 50i
mode uses 24Mbits/sec, that is utterly a bit some-more per frame. The 8GB of
on-board memory can store adult to 30 mins of 50p footage, and 35
minutes of a tip 50i quality, though a 128GB SDXC label will lift these
figures to 10 hours 10 mins and 11 and a half hours respectively.

JVC HD Everio GZ-RX110BE: Settings

The
common operation of camcorder settings are available, all of them accessed
via a 3-inch LCD touchscreen. In Intelligent Auto mode, a camcorder
offers 3 opposite concentration and bearing tracking modes – Colour, Face
and Area. You can toggle a automobile benefit adult function, including a slow
shutter option. There is even a tiny volume of control over the
microphone recording volume.

There are some special recording
modes accessible as well, including time relapse with intervals of 1, 5, 20 or 80 seconds. Recording effects can be enabled, trimming from grainy
monochrome to one for enhancing babies and one for food, that is a
decidedly peculiar collection. Animations, such as hearts or flowers, can be
superimposed over a image, if we like your videos cheesy.

Switch
to primer mode, and some-more options appear. Focus can be operated manually
around an onscreen slider, and there are settings for backlight
compensation and tele macro. The liughtness turn can be adjusted,
although it’s not probable to entrance iris orifice and shiver speed
separately. There are also white change presets for sunshine, cloud,
indoor lighting, and blue or immature underwater conditions, as good as a
fully primer mode.

As mentioned earlier, built-in Wi-Fi is another
pivotal underline that a GZ-RX110BE has that a cheaper GZ-RX10SE
sibling doesn’t provide. The camcorder can possibly act as a possess access
point, or be connected to an existent wireless network. This works in
tandem with a Everio Sync 2 apps for iOS and Android. Using one of
these, we can afterwards work a camera with your smartphone, and even
remotely over a Internet with a assistance of a DDNS account. When the
camcorder is in approach entrance mode, it can collect adult your smartphone’s
location and use this to geotag your videos as well.

JVC HD Everio GZ-RX110BE: Performance

Performance
is no opposite to a GZ-RX10SE. The tiny sensor performs good in
good lighting, providing accurate colour and good detail. Although grain
does turn clear as a enlightenment drops, a colour fidelity
remains commendable. This is frequency an fan camcorder, though it will
cope good adequate with a non-static bland lighting conditions that
family occasions are expected to present.

One thing we can’t get entrance to, due to a GZ-RX110BE’s
waterproofing, is a battery. Fortunately, JVC claims a battery will
last 4.5 hours, that we found was an accurate guess during our
testing. So we can conduct off on a outing with a certainty that the
camcorder will final a useful volume of time.

Should we buy a JVC HD Everio GZ-RX110BE?

This
JVC offers a good preference of additional features
compared to a GZ-RX10SE, with a identical launch price. You’re still
paying around £100 additional for these and a Quad Proof robustness
compared to a unchanging camcorder of differently identical specification. But
these facilities do give a GZ-RX110BE a reason for purchasing it
compared to only pulling out your smartphone to squeeze critical moments
on video. As a stretchable all-rounder that we can use in many conditions, the
GZ-RX110BE creates a lot of sense, and is pretty priced, too.

Verdict

The
JVC HD Everio GZ-RX110BE combines imperishable build and Wi-Fi facilities with a
unchanging camcorder functionality, for a reasonable price.

Next, review more Camcorder Reviews

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What is a Panasonic HC-X1000?

The Panasonic HC-X1000 is
Panasonic’s initial 4K charity in a prosumer camcorder market. With
built-in ND filters, a 20x visual wizz and a horde of unequivocally considerable 4K
support rates and codecs, a HX-1000 is good labelled during £2,559, some-more than
£1,000 reduction than a Sony AX1.

With a 4K 8-MP 1/2.3-inch BSI
sensor, this camcorder is a from a time before a 5D Mk II done abyss of
margin a norm, yet with 50p and 60p during UHD (3,840 x 2,160) does Panasonic
have something else to offer a some-more normal finish of a market?

Panasonic HC-X1000 5

Panasonic HC-X1000: Specs and Features

The
initial doubt we have to ask is who is this for? There is no doubt
that 60fps during UHD is a title grabbing statistic that many
videographers would drool over. With, MP4, AVCHD and MOV codecs this
camera positively is versatile, yet it also has some transparent limitations
that we need to know before determining possibly to buy it.

Due no doubt to a rather tiny sensor, we found a HC-X1000 is tough pushed to get past nine
stops of energetic operation and notwithstanding a MP4 codec holding adult to 200Mbps,
the picture has small to no room for strategy in post production.

This
confirms to us that a HC-X1000 was never dictated to be used by
indie filmmakers, a fact Panasonic done transparent in pitching a camera to
us. It feels a HC-X1000 is best matched to blurb contexts, such as
sharpened weddings and events. So a genuine doubt is possibly you
should switch to 4K for this kind of work and possibly this is a camera
for a job.

Panasonic HC-X1000 4

It’s positively doesn’t miss in facilities for the
task. As an ENG character camera a HC-X1000 comes with all a standard
buttons and switches we would design from this normal camera form.
White change has an A and B preset, set to 3200k and 5600k, for
tungsten and daylight, permitting for discerning switching in quick changing
environments. An automobile and tradition mode are also available.

The
lens is by distant and divided a superb feature. The 20x visual wizz is
some-more than adequate for any standard videography unfolding and a autofocus
is also serviceable — during no indicate did it shelve to somewhere unattractive or
ruin a shot, yet with small abyss of margin maybe this is understandable.

The
picture stabilisation is a 5-Axis hybrid system, regulating both program and
optical stabilisation and a regulation are fantastic. We managed to use
the telephoto finish of a lens handheld with remarkably small shake.
Image stabilisation might sound concerning for purists, yet for anyone who
is mostly off a tripod it will be an essential feature.

Panasonic HC-X1000 6

The
camera ships with twin 64GB SD cards, that saves a good volume of money
on squeeze (around £150/£200). The idea of never blank a shot is
something Panasonic is penetrating on pulling with a twin SD label slots and
the continual recording mode, that allows for one label to be
constantly recording while a other shoots what we tell it to with the
REC button.

Another choice is to fire one after a other,
meaning that we never have to leave a camera and can constraint action
continuously. This isn’t a ground-breaking feature, yet on a camera at
the cheaper finish of a marketplace it’s a profitable underline and will suit
those sharpened sports and events coverage.

Histograms, zebras,
focus peaking and concentration enhance are all good facilities that make this
camera unequivocally serviceable on a day-to-day basis. Everything is easily
accessible in a buttons and menu complement and follows a regulation that has
been set out in normal digital video camera for years. Again, not ground-breaking, yet essential when it comes to being means to trust what we are looking during on a daily basis.

The
battery life is a unequivocally important 6 hours when sharpened continuously
in 4K. This is essential when sharpened a full day of interviews and
reduces a risk of carrying to change battery midst interview, or blank a
shot since of something as elemental as battery. One gangling battery
would be sufficient for a day of heated sharpened and that is refreshing
to see. The 64GB SD cards that are supposing will take 5 hours and 20
minutes of continual 4K recording during 200Mbps and if we are shooting
back-to-back on a cards that means over 10 hours of record time.

The
built-in stereo microphone is sufficient and has a reasonable volume of
detail, adequate for room microphone, reserve or blemish track.

Panasonic HC-X1000 7

Panasonic HC-X1000: Design, Controls and Usability

One
vital underline that will put off a ‘pro’ finish of a marketplace is the
camera doesn’t seem to have a entirely primer bearing mode – despite
turning all earthy controls to manual, a camera still adjusted
exposure automatically. This means possibly an roughly totally flawed
camera for anyone critical about formulating video, or an overly complicated
menu complement that has buried an essential feature.

The camera
also has a built in ‘beep’ that sounds on each symbol press in the
menu complement and would be rarely inapt for a marriage or
conference event. Yet again such an apparent smirch contingency be fixable in the
menu system, yet after acid each submenu available, accompanied by
never finale beeps, we couldn’t find a environment to spin it off. It’s
hard to trust it’s not there somewhere, yet if it is afterwards it’s
needlessly tough to find.


 
When holding a Panasonic it feels
small, compress and neat — it weighs only 1.5kg. This helps make it very
portable, some-more so than a Sony AX1, yet a trade-off is disappointing
build quality. The plastics feel unequivocally inexpensive and a buttons don’t have a
reassuring, peculiarity feel.

The misfortune instance of a so-so build
quality is a cosmetic doorway on a audio controls, that feels flimsy
and would locate simply when forsaken into a bag. Of course, we expect
build peculiarity to humour during a cheaper finish of a market, yet saving
£1,000 with initial squeeze might be a fake economy when a plastic
doors snap off withdrawal tools exposed.

Panasonic HC-X1000 9

The touchscreen LCD is
functional and splendid adequate for sharpened outdoors. Reflections still
cause problems on unequivocally balmy days and a hold shade isn’t as
responsive as it could be, yet it is adequate to get by.

Personally,
we find a further of touchscreen to a video camera not ideal as
operating in gloves is a common occurrence, however on a camera of this
size regulating even a earthy buttons can be a struggle. The viewfinder
is transparent and is a good underline that sets this camera detached from a
consumer class camcorder.

Panasonic HC-X1000: Image Quality

So
distant we’ve seen a X1000 has some apparent pros and cons, yet a image
quality swings things opposite it somewhat. While 4K images are superbly
detailed as we would expect, this comes during a responsibility of too much
noise. Generally, a picture is distant too loud and murky to be
taken severely — anything that isn’t shot in full illumination has a dull
quality that is startling for what we design to see with a 4K camera.

When
people consider of 4K images they wish sharpness and it feels as if
Panasonic has depressed into a same pitfalls as it did with a GH4. A
tendency to over whet causes nonessential sound in a picture and in
lower light this reduces clarity.

From a non-scientific tests,
a energetic operation comes in during a unequivocally ‘video’ 9 stops. The blacks are
unequivocally murky and don’t have any information when it comes to pulling them
in post-production. The same goes for highlights; they hurl off very
fast and have a inexpensive peculiarity that is approaching from a some-more consumer
grade camera.

Overall, a picture peculiarity is potentially a vital ambuscade for
this camera depending on a kind of work we do. Although it is
sufficient for simple videography, during a time that a Blackmagic Pocket
Cinema Camera, with 12 stops of energetic operation and 12-bit colour depth,
can be purchased for £650, this camera is approach behind prosumer needs.

Panasonic HC-X1000 2
Taking
your 4K footage into post-production also presents problems. The option
of 4K in post-production creates clarity as a ability to stand images
without detriment of pixels can assistance if we are stranded in a edit. But, put
simply, a sufficient modifying complement will cost as many as a camera
itself.

You’ll find handling a 4K files in an existent system
very difficult. From ingestion to edit, after effects joining and
export, we found all was over twice as delayed when compared to
editing 1080p footage. Unless you’re prepared to deposit in new editing
equipment you’ll substantially finish adult spending some-more time sharpened in 1080p
than 4K, that rather defeats a indicate of a HC-X1000.

Panasonic HC-X1000
Should we buy a Panasonic HC-X1000?

While
a aspiration to expostulate down a cost 4K video sharpened is admirable,
it’s tough to suggest a Panasonic HC-X1000 right now. Panasonic is
pitching this camera as a prosumer camcorder, yet it’s unequivocally tough to
see because it is value spending a income for a ability to fire during 60fps
in 4K when it is joined with unequivocally normal picture quality.

There’s no jealous this is a feature-packed camcorder. The lens, battery life and twin SD label slots are all glorious and it ticks many tantalizing boxes for videographers, yet when pull comes to force it isn’t a camera we’d select if you’re meditative of switching to 4K. 

Verdict

There are some earnest elements in a X1000, yet images unequivocally humour in low light situations. It unequivocally needs a incomparable sensor to make a many of the other qualities.

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