What is a Canon XC10?
The XC10 is Canon’s entry-level Cinema EOS camera. However, it’s a rather opposite savage compared to other members of a Cinema EOS range, such as a C100.
For a start, it’s cost of a small over £1,500 puts it many closer to consumer-grade camcorders. This is also a camcorder with a bound lens, rather than EF mount, and there’s no outrageous Super 35 sensor inside either.
However, a XC10 does competition a sizeable one-inch CMOS and a ability to constraint 4K video. Could this be a camcorder-DSLR crossover we’ve been watchful for?
Canon XC10 – Sensor Specification
Putting that one-inch CMOS in perspective, it’s utterly a bit smaller than APS-C and Micro Four Thirds (MFT) sensors, though around 4 times a area of a 1/2.3-inch sensors customarily found in camcorders. As a result, it should arrangement distant larger attraction – closer to a DSLR – and also yield a some-more film-like video characteristics that have finished DSLRs and camcorders such as a Canon Cinema EOS operation and their ilk so renouned with videomakers.
The one-inch CMOS provides a tender 13.36 megapixels, and this gives it an effective 8.29 megapixels for video and 12 megapixels for stills. The effective apportion for video is precisely adequate for 4K video, though a 12-megapixel stills are rather behind contemporary DSLRs – for example, a Canon EOS 750D offers twice as many.
Canon XC10 – Built-in Lens
The XC10’s built-in lens is surprising, given that Canon has such an glorious operation of EF mountain lenses available. Traditionally, camcorders during this cost have customarily come with built-in lenses, though you’d be severely unhappy if you’d purchased a digital camera for this sum that didn’t have an transmutable lens system. It’s partial of what creates sharpened video on DSLRs so attractive.
This is something that could potentially put off many folk, generally given compress complement cameras such as a Sony A7S yield 4K video and transmutable lenses for identical income – nonetheless a glorious Sony A7R II costs significantly more. Despite a crossover aims, a XC10 is still clearly some-more camcorder than digital camera.
That said, a lens in doubt is really good. It isn’t from Canon’s top-end L series, as seen on some of a company’s progressing fixed-lens veteran camcorders such as a tape-based XH A1. Nevertheless, it offers a 35mm homogeneous operation of 24mm to 240mm, and sold limit orifice of f/2.8 to f/5.6. This is a 10x visual zoom, that customarily one of a now accessible detachable Canon EF mountain lenses can replicate, and that costs about as many as this camcorder on a own.
I’m still distrustful about Canon’s preference not to opt for EF in a XC10, though for certain markets this could be acceptable, or even a advantage if a user isn’t utterly experienced. Canon is targeting enthusiasts, eccentric filmmakers, B camera usage, and news gathering.
While we can see many of these being viable customers, indies are still going to wish larger lens coherence – such as adding one of Canon’s budget-conscious 50mm big-aperture lenses for intensely low abyss of margin or concentration pulling.
Canon XC10 – 4K and HD Video Options
Another primarily startling choice deliberation a fan aims of this camcorder is a recording media options. Naturally, there’s an SDXC label container available, though that can be used customarily for recording Full HD footage and still images. For 4K, there’s a CFast 2.0 slot.
This is given 4K can be shot during possibly 205Mbits/sec or 305Mbits/sec. The latter is over a capabilities of even a fastest Class 10 SDXC media, given CFast 2.0 media customarily offers around 500MB/sec. Unfortunately, it’s also around 5 times a cost of Class 10 SDXC cards per GB.
With video recording in a MXF-based XF-AVC record format, a 64GB CFast 2.0 label will give we approximately 25 mins of recording in a tip 4K mode. Full HD uses Long GOP format during 50Mbits/sec, that means it will accommodate promote TV standards.
Slow and discerning recording are available, nonetheless it depends that sharpened format is being used. In 4K mode, time relapse adult to 1,200x can be enabled, though no high-speed. In Full HD mode, footage can be accessible during adult to 100 frames/sec and played behind during 25 frames/sec, for 4x slow-motion effect.
Canon XC10 – Controls and Manual Settings
The XC10’s control complement is a bit of a hybrid of a Cinema EOS and EOS DSLRs. There’s a duty dial on a tip of a rotating palm grip, permitting a choice between stage mode, auto, programme auto, shiver priority, orifice priority, and wholly manual, like a DSLR. You need to press a symbol in a centre of this dial to spin it, so incidentally changing mode will be hard.
There’s a circle usually behind a shutter/record button. Unlike Cinema EOS cameras, we can’t straightforwardly switch a operation of this dial with a discerning symbol press. Instead, it needs to be henceforth reserved a duty around a menu. By default, it controls a iris, though it can also be reserved to shiver or ISO. The other dual will be manifest on-screen, though customarily a reserved parameter will be highlighted orange and fanciful with a wheel.
Further fast entrance to settings is accessible around 3 user-configurable buttons, nonetheless I’d like to have seen a few some-more of these. By default, a dual buttons on a left-hand side control Push AF and toggling a information display, with a third symbol on a back handling shade magnification for finer focusing. However, all 3 can be reserved opposite functions, with utterly a operation of options available.
What can’t be tranquil around a several dissimilar buttons and dials can be accessed around a sloping 3-inch touchscreen LCD, or around a joystick on a back of a palm grip. Both work a same menu system, that provides a horde of facilities such a looks, including EOS, Cinema EOS, Wide Dynamic Range and Canon Log. The several picture stabilisation options can be tranquil here, too, with energetic and energy visual picture stabilisation available.
In wholly primer mode, shiver can be various from 1/2 to 1/2,000th, and iris from f/2.8 to f/11. The ISO options operation from 160 to a flattering gobsmacking 20,000, nonetheless anything above 2,000 starts to get utterly loud given this is radically video gain.
So a ISO abilities aren’t utterly adult there with Super 35-equipped Cinema EOS cameras, that can fire purify footage during as high as 3,200 or even 6,400 ISO.
Canon XC10 – Connections and Extra Features
Despite being a member of Canon’s veteran Cinema EOS range, a XC10 does miss a few veteran features. There’s no XLR audio, nonetheless where you’d put this sizeable tie on a camera of this distance is questionable.
Instead there’s usually a mini-jack for outmost microphones, and another for headphones, and mini-HDMI for video output. So we could insert a wireless microphone system, though an audio feed from a table could be a bit of a pain to offshoot up.
There are some various additional features, such as Wi-Fi control around a browser, and a hood enclosed in a box that turns a LCD into a really workable EVF. This is utterly useful in splendid light, given a LCD does turn a small formidable to see, and explains because Canon has finished all on a touchscreen operable with a joystick as well.
Canon XC10 – Performance and Image Quality
The categorical reason behind videomakers anticipating DSLRs so appealing is of march a picture peculiarity available, and excelling in this area could concede a XC10 to be forgiven for a failings. It’s flattering able here, and a photos are a cut above what camcorders with smaller chips are able of. In particular, a abyss of margin during f/2.8 can be really narrow, so appealing Bokeh effects are possible.
Video shot in 4K is packed with detail, and there’s positively no pointer of artefacts interjection to a outrageous information rate. Even left in customary mode, a colours are intensely healthy and accurate. With a additional Looks, far-reaching energetic operation and Canon Log options, there’s a outrageous volume that can be finished here to give footage accurately a coming desired, or compare it to footage shot on another camcorder.
Check out some representation 4K footage shot on a Canon XC10 here!
I wasn’t wholly assured by a picture stabilisation compared to a best in a business, though a XC10 is really light and easy to use when hand-held. With a vast chip, a XC10 can squeeze good footage in all demeanour of accessible lighting, too. It clearly isn’t as supportive as a rest of a EOS Cinema range, with their Super 35 sensors, though a low-light abilities distant transcend non-DSLR sub-£2,000 camcorders that I’ve tested in a past.
Should we buy a Canon XC10?
In terms of a camcorder, we was won over by a XC10, notwithstanding a flaws. But if you’re looking for a Holy Grail of a device that is as gentle being a DSLR as it is a camcorder, this isn’t utterly it.
The XC10 is some-more inequitable towards a video capabilities. However, a digital photos are many improved than those of a unchanging camcorder. You’re some-more expected to be pulling stills off 4K video footage anyway.
For an fan who shoots some-more video than photos, this could be a good camcorder for grabbing near-cinema-quality footage of that outing of a lifetime. It could also be good for digital film students, or sharpened news events. It’s a small pricey compared to a DSLR option, though a 4K video format used is good over any DSLR, and a video sharpened is many easier to work with.
The Canon XC10 isn’t utterly a DSLR-camcorder hybrid it promises to be, though it shoots good 4K footage.